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4.	Rhonda Sharpe, My Selfs with Cowboy, 2021, installation of four stitched woollen sculptures on metal stands using recycled woollen blankets, natural dye, wool, acrylic yarn, size variable, installation:  78 x 185 x 70cm, Cruthers Collection of Women’s Art, The University of Western Australia.  Copyright courtesy of the artist and Yarrenyty Arltere Artists  A blaze of glorious people
Reviews

A blaze of glorious people

28 September 2023

Lawrence Wilson Art Gallery blazes a trail with an exhibition of remarkable portraits, writes Belinda Hermawan

Reading time • 7 minutesVisual Art
A figure dangles from a huge multi-coloured balloon, nothing but blackness all around. This is CircusWest's ECLIPSE Make August a month to remember
What to SEE

Make August a month to remember

27 July 2023

Is winter over yet? If you can’t beat the weather, just ignore it and stay indoors. Our August gig guide is full of good reasons to do just that. 

Reading time • 10 minutesMulti-arts
17.	Gobawarrah-Yinhawangka Traditional Owners and Michael Bonner, Gobawarrah-Yinhawangka Horizon Line, 2023 acrylic on wall, installation view in Black Sky, Lawrence Wilson Art Gallery, 2023, photograph by Rebecca Mansell The entrance to Black Sky is painted black, with an orange line that bisects the wall erratically. A leap of faith into the abyss
Reviews

A leap of faith into the abyss

29 March 2023

Generous and powerful, Lawrence Wilson Art Gallery’s Perth Festival exhibition explores the role of the night sky in First Nations culture, as a bridge between this world and other realms, writes Ilona McGuire.

Reading time • 7 minutesVisual Art
Cream of the crop 2022
Features

Cream of the crop 2022

15 December 2022

Which shows were Seesaw Mag’s favourites this year? We ask our writers to reflect on the year that was… and the year that will be.

Reading time • 10 minutesMulti-arts
One of the works at Lawrence Wilson Art Gallery: a stylised screen print of a woman screaming. Women artists form a powerful chorus
Reviews

Women artists form a powerful chorus

5 July 2022

Vibrating with tension and energy, ‘Sustaining the Art of Practice’ is an exhibition that amplifies the voices of women, reports Jaimi Wright.

Reading time • 5 minutesVisual Art
Reading time • 8 minutesVisual Art
An Aboriginal painting of a European ship. The ship is a white silhouette against a brown and white striped background. Sailing on an ocean of art
Features

Sailing on an ocean of art

11 January 2022

Perth Festival’s choice of wardan – the ocean – for this year’s festival theme plays out beautifully in its visual arts selection. Ara Jansen plunges in to pull out some highlights.

Reading time • 10 minutesPerth Festival
L-R: Maxxi Minaxi May, Deconstructing beauty, 2003, plastic dolls, paint, foamcore and wood, 105 x 21 x 5.7 cm, Cruthers Collection of Women’s Art, The University of Western Australia. Copyright and courtesy of the artist. Glenys Hodgeman         
Death is never out of style, 2000                              
cotton embroidery on paper burial shroud, 194 x 157 cm
  © courtesy of the artist.
Lilla Lowe, Apples and apple blossoms, 1896, oil on cedar panel, 90 x 26.5 cm, Cruthers Collection of Women’s Art, The University of Western Australia.  Three artworks appear alongside one another. On the far left is a shelving unit - each shelf contains plastic doll body parts, sorted by type. In the middle is A piece of white fabric with various human organs embroidered in red thread, as well as the words Le mort est jamais se demode. On the right is an oil painting of apples and blossoms on cedar wood. Getting to the heart of matter
Reviews

Getting to the heart of matter

17 September 2021

There’s a matter that deserves your attention at Lawrence Wilson Art Gallery, says Jaimi Wright.

Reading time • 5 minutesVisual Art
Olga Cironis, Echo, 2021, still from single-channel digital video with sound, duration 3:55 min, ed. 1/5, courtesy the artist and Art Collective WA. This project has been made possible with the support of the Minderoo Foundation. A young woman stands in a desert setting, framed by a blue sky. She wears a dress with puffed sleeves and a full skirt, made of camouflage fabric. She also wears a string of pearls. She gazes beyond the camera. The disruption and solace of Olga Cironis
Reviews

The disruption and solace of Olga Cironis

14 April 2021

Woven together with various threads, including human hair, ‘Dislocation’ is an appropriate title for a survey of the works of local artist Olga Cironis, discovers Miranda Johnson.

Reading time • 5 minutesPerth Festival
TextaQueen, Me (Arlene TextaQueen), 2001, fibre tipped pen on cotton paper, 100 x 70 cm, Cruthers Collection of Women’s Art, The University of Western Australia. The collection includes work by women and non-binary artists. © the artist. A detail from a picture of a woman of colour with flaming red hair, against a background of textas. The work is drawn in texta and has been cropped so that it is a head and shoulder shot. Paper Cut draws blood
Reviews

Paper Cut draws blood

17 March 2021

Against the backdrop of rallies for an end to violence against women, the agitation for change in Lawrence Wilson Art Gallery’s ‘Paper Cut’ is at once historical and timely, finds Belinda Hermawan.

Reading time • 6 minutesVisual Art

Cleaver Street Studio

Cleaver Street Studio

 

Cleaver Street Studio