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Q&A/The Festival Sessions/Cabaret/Fringe World Festival

Channelling the greats

28 January 2019

Singer Ali Bodycoat will need no introduction to local jazz aficionados. A regular performer at Perth’s Ellington Jazz Club, she’s also a Fringe World veteran. This year she’s all about powerhouse women, performing solo in “From Bodycoat to Barbra” and joining forces with Jessie Gordon in “Peggy Lee and Judy Garland”.

Ahead of her back-to-back season, Bodycoat sat down with Seesaw for a Fringe Session Q&A.

Profile Headshot of Ali Bodycoat
Ali Bodycoat

Seesaw: When did you first know that you wanted to be a singer?
Ali Bodycoat: I have always wanted to perform – for as long as I can remember I had a huge desire to be in the entertainment industry.

S: Tell us about your training…
AB: The most influential formal training I had came from three incredible women – Sandra Gorringe, my high school drama teacher, Janice Taylor-Warne my classical voice teacher at WAAPA and Helen Matthews, my private jazz voice teacher. To this day, the techniques that were taught to me by these marvellous three are a part of how I approach the stage in any genre. I completed a Certificate of Musical Theatre at WAAPA and literally “fell” into the jazz world in Perth. The greatest lessons are still continuing and these are and always have been, on the job!

S: Describe your artistic practice…
AB:
Remember why we are doing this, focus on the music and the reasons behind the song – not yourself, and never, ever break an audience’s pre-conceived notions of the fantasy of being entertained. Most importantly, develop your technique and routines early so you always have that strength to fall back on.

S: What do you love most about what you do?
AB: The joy of giving an experience to an audience – for just one tiny moment, you are their travel guide and you can take them anywhere to which their mind chooses to travel. There is also something incredibly special about making music with a group of musicians who are as behind the music as you are.

S: Career highlight so far?
AB: Performing with the West Australian Symphony Orchestra and also the Proms New Years’ Eve Concert with Mark Coughlan at the Perth Concert Hall.

S: Funniest career moment so far?
AB: Oh so countless – each performance has its moments of hilarity – probably being naked onstage but that’s another story…!

S: Tell us about your two Fringe World shows, “From Bodycoat to Barbra” and “Peggy Lee & Judy Garland”
AB: The unforgettable Jessie Gordon and I perform together in “Peggy Lee & Judy Garland”. “From Bodycoat to Barbra” presents the music of Barbra Streisand. Both shows are at the Ellington Jazz Club and are one hour slots jam-packed with the legends of the women and their music!

S: Aside from your show, what are you looking forward to seeing/doing at Fringe?
AB: As much as possible… get out that programme and DIVE IN!

S: What is your favourite part of the playground?
AB: Well I’ve always had a penchant for a trampoline…

You can catch Ali Bodycoat in 
“Peggy Lee & Judy Garland”, 6 – 10 February 
“Ali Bodycoat Presents – From Bodycoat to Barbra”, 13 – 17 February
at the Ellington Jazz Club on Beaufort Street.

Pictured top: Ali Bodycoat with Jessie Gordon.

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Author —
Nina Levy

Nina Levy has worked as an arts writer and critic since 2007. She co-founded Seesaw and has been co-editing the platform since it went live in August 2017. As a freelancer she has written extensively for The West Australian and Dance Australia magazine, co-editing the latter from 2016 to 2019. Nina loves the swings because they take her closer to the sky.

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