Minneapolis_600x150_banner.jpg
Reviews/Dance/Fringe World Festival

An exuberant return

7 October 2020

As Djuki Mala returned to tour WA this month we are re-posting Jenny Scott’s review of their 2018 performance at Fringe World.

Fringe World review: Djuki Mala ·
The West Australian Spiegeltent at The Pleasure Garden, 31 January 2018 ·

The wildly popular Djuki Mala team return to Fringe World in 2018 with their high energy show fusing traditional Aboriginal Yolngu dance and contemporary pop hits.

This production marks eleven years since the group first rose to prominence after a YouTube of their “Zorba the Greek” dance in North East Arnhem Land went viral in 2007.

Originally known as The Chooky Dancers, the Djuki Mala performers have since toured their exuberant dances both nationally and worldwide – most recently winning the Best Dance and Physical Theatre Award and the West Australian Arts Editor Award at the 2017 Fringe World.

The present cast of five performers (with a sixth currently sitting out due to injury) begin the show dressed in white ochre with a moving and elegant display of traditional Yolngu dance using gara (spears) and galpu (spear throwers). The men then shift into show business as they cheekily krump, pop and lock, slide, and backflip across the stage – and of course, perform their iconic “Zorba the Greek” crowd favourite.

With a focus on fun over strict choreography, the gyrating hips, camp shimmies, and infectious smiles of the group truly delight. It’s clear that this year’s show has already attracted many past Djuki Mala viewers, and in classic fringe style the audience are encouraged to noisily show their appreciation. Many in the opening night crowd ended up singing along to the soundtrack, which is a medley of classic hits from Missy Elliot to MC Hammer.

The dance routines are interspersed with intimate footage filmed onsite on Elcho Island, presenting oral histories of the origins and subsequent evolution of the Djuki Mala dance troupe. These videos give past and present dancers the chance to explain, in their own words, the role that the production has played in their lives and in their communities. While this footage sometimes marks a tonal shift from the otherwise lively atmosphere, it’s importance is clear – both in providing the audience with further cultural context for the group, and in paying respect to those who played pivotal roles in its development.

Straddling Indigenous traditions and mainstream Western pop culture, this show provides insight into the lived experience of young Australian Aboriginal people today. It also emphasises the history of clowning and silly dances within Yolngu culture – a detail that has often been lost in Western accounts of Aboriginal heritage. As performer Baykali Ganambarr has said of Djuki Mala, “we take our culture out of the museum and place it very firmly in the 21st century”.

Delightfully dynamic and family-friendly, Djuki Mala will leave you with a smile on your face.

Djuki Mala’s WA Home Run Tour is currently underway. The company will be heading to Bunbury Regional Entertainment Centre next (9 Oct, sold out), followed by 

Saturday, 10 October               Sandra Donovan Sound Shell, Manjimup
Sunday, 11 October                  Albany Entertainment Centre (SECOND SHOW ADDED)
Wednesday, 14 October          Ravensthorpe Town Hall*
Friday, 16 October                    Esperance Civic Centre*
Saturday, 17 October               Goldfields Arts Centre, Kalgoorlie
Tuesday, 20 October                Cummins Theatre, Merredin
Friday, 23 October                    Yalgoo Community Hall, Yalgoo* FREE EVENT
Sunday 25 October                   Peace Gorge, Meekatharra FREE EVENT
Thursday 29 October               The Regal Theatre, Perth
Friday 30 October                     The Regal Theatre, Perth
Saturday 31 October                The Regal Theatre, Perth
Thursday, 5 November             Ningaloo Community Centre, Exmouth
Sunday, 8 November                Newman Recreation Centre* FREE EVENT
Thursday, 12 November           Red Earth Arts Precinct, Karratha (SOLD OUT)
Saturday, 14 November            Ngurin Centre* & Roebourne Cultural Complex Amphitheatre FREE EVENT
Friday, 20 November                 Broome Civic Centre*

Head to the Djuki Mala website for booking/registration info.

* Public workshops available, check venue website for details

Photo: Bond Creatives

Like what you're reading? Support Seesaw.

Author —
Jenny Scott

Jenny Scott received a Bachelor of Fine Arts (First Class Honours) from the University of Western Australia, and has spent the past ten years working and volunteering in the arts sector on Whadjuk Noongar boodja. She has fond memories of the dangerous thrill of the playground roundabout.

Past Articles

  • A 20 year wait for a queer take

    Focusing on the perspectives of queer West Australian artists, this year’s ‘HERE&NOW’ exhibition at Lawrence Wilson Art Gallery is both stylish and thought-provoking says Jenny Scott.

  • Giving new meaning to DIY

    Looking for a post-lockdown dose of art? With its focus on the ways we occupy our living spaces, Mark Parfitt’s playful exhibition ‘Overhouse’ feels apt, writes Jenny Scott.

Read Next

  • Thin beams of light shine down on a stage filled with an orchestra, choir, jazz band and singer Birthday extravaganza
    Reviews

    Birthday extravaganza

    2 August 2021

    Edith Cowan University turns 30 this year, and Rosalind Appleby says the WA Academy of Performing Arts celebrated in style with a performing arts party that looked both backwards and forwards.

    Reading time • 6 minutesMusic
  • Andrea Gibbs and Will O'Mahony. Photo: Chris Canato Will O'Mahony sits on a milk crate in what looks like a student flat. He is lifting his hands in a gesture and his eyes are closed, as though he is thinking deeply about what he is saying. Andrea Gibbs stands nearby. She is looking at her phone. Multiple projections of Will in profile are seen on the walls. Marvellous Minneapolis holds men accountable
    Reviews

    Marvellous Minneapolis holds men accountable

    29 July 2021

    For the second time in a week, young West Australian playwrights take on the gold standard of theatre – the full-length, two-act play – and David Zampatti says Will O’Mahony’s Minneapolis succeeds at it handsomely.

    Reading time • 6 minutesTheatre
  • Head-banging synchrony
    Reviews

    Head-banging synchrony

    28 July 2021

    Combining the wildness of the mosh pit with the athleticism of contemporary dance, Cry Baby, which made its debut at Fringe World, has been developed into a full length work to be presented at the Rechabite. Ahead of that season we’re sharing Nina Levy’s review of the original.

    Reading time • 4 minutesFringe World Festival

Leave a comment

Cleaver Street Studio

Cleaver Street Studio

Cleaver Street Studio