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Four performers lean over their instruments with an image projected on the wall behind of a messy 90s office scene Exploring the periphery of musical narrative

Reviews

Exploring the periphery of musical narrative

12 April 2021

Audible Edge Festival of Sound is underway and Eduardo Cossio reviews ‘Serf Punk’, a concert that explores representation and meaning – and its absence.

Reviews

Hearing light & seeing sound

23 February 2020

The balance of restful and hectic energy in Robin Fox’s concerto for a laser beam was an absorbing experience for Eduardo Cossio.

Reviews

Unstoppable momentum

20 February 2020

Eduardo Cossio finds The Necks’ concert an act of discovery, full of tight corners and elegant solutions.

Reviews

From abstract acid house to pointillist landscapes

20 April 2021

Two mixed bill experimental music and sound programs intrigue Jonathan W. Marshall at this year’s Audible Edge festival.

the team

2 December 2019

Rosalind Appleby – Co-Managing Editor Rosalind Appleby is a Perth-based arts journalist, author and speaker. She was music critic for The West Australian for 14 years…

Reviews

Exhilarating and absurd

23 October 2019

Review: GreyWing Ensemble, ‘Text’ ⋅ The Sewing Room, October 8 ⋅ Review by Eduardo Cossio ⋅ Local ensemble GreyWing are known for performing works that mix environmental sounds with…

Reviews

A tactile sound world

9 July 2019

Review: Louise Devenish, ‘Sheets of Sound’ ⋅ Perth Institute of Contemporary Art, June 28 ⋅ Review by Eduardo Cossio ⋅ “Sheets of sound” is how jazz critic Ira Glitter…

Reviews

Musical artefacts

2 June 2019

Review: Intercurrent Ensemble, ‘Walkman Antiquarian’ ⋅ UWA Callaway Auditorium, 27 May ⋅ Review by Eduardo Cossio ⋅ Developments in technology brought new performance tools for musicians in the…

Reviews

Mix and match media

29 April 2019

Review: Zubin Kanga ‘Piano Ex Machina’ ⋅ State Theatre Centre, April 24 ⋅ Review by Eduardo Cossio ⋅ Many contemporary composers have sought to create works that are…

Reviews

An R&B ceremony

11 March 2019

Perth Festival review: Soft Soft Loud, Procession ⋅ Fremantle Arts Centre, March 2 ⋅ Review by Eduardo Cossio ⋅ Soft Soft Loud’s cross-genre contribution to the Perth Festival this…

Always was, always will be…

Seesaw respectfully acknowledges the traditional owners and custodians of the land on which we live and work, the Whadjuk people of the Noongar nation and their elders, past, present and emerging. Continue

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Seesaw respectfully acknowledges the traditional owners and custodians of the land on which we live and work, the Whadjuk people of the Noongar nation and their elders, past, present and emerging.
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