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Articles

  • 17.	Gobawarrah-Yinhawangka Traditional Owners and Michael Bonner, Gobawarrah-Yinhawangka Horizon Line, 2023 acrylic on wall, installation view in Black Sky, Lawrence Wilson Art Gallery, 2023, photograph by Rebecca Mansell The entrance to Black Sky is painted black, with an orange line that bisects the wall erratically. A leap of faith into the abyss
    Reviews

    A leap of faith into the abyss

    29 March 2023

    Generous and powerful, Lawrence Wilson Art Gallery’s Perth Festival exhibition explores the role of the night sky in First Nations culture, as a bridge between this world and other realms, writes Ilona McGuire.

    Reading time • 7 minutesVisual Art
  • Sandra Hill, Minang/Wardandi/Ballardong/Nyoongar peoples, Double Standards, 2015, National Gallery of Australia, Canberra, purchased 2016 with the support of Warwick Hemsley and The Hon. Melissa Parke to mark Mr Hemsley's tenure on Council and in recognition of the 50th Anniversary of the 1967 Referendum. What looks like an abstracted version of the Australian flag is actually composed of tiny squares, each depicting the double standards that exist for black and white Australia A statement of cultural survival
    Reviews

    A statement of cultural survival

    14 March 2022

    Often tackling confronting issues, the Art Gallery of WA’s “Ever Present” is a stunning and thought-provoking exhibition, says Michelle White.

    Reading time • 6 minutesVisual Art
  • L-R: Maxxi Minaxi May, Deconstructing beauty, 2003, plastic dolls, paint, foamcore and wood, 105 x 21 x 5.7 cm, Cruthers Collection of Women’s Art, The University of Western Australia. Copyright and courtesy of the artist. Glenys Hodgeman         
Death is never out of style, 2000                              
cotton embroidery on paper burial shroud, 194 x 157 cm
  © courtesy of the artist.
Lilla Lowe, Apples and apple blossoms, 1896, oil on cedar panel, 90 x 26.5 cm, Cruthers Collection of Women’s Art, The University of Western Australia.  Three artworks appear alongside one another. On the far left is a shelving unit - each shelf contains plastic doll body parts, sorted by type. In the middle is A piece of white fabric with various human organs embroidered in red thread, as well as the words Le mort est jamais se demode. On the right is an oil painting of apples and blossoms on cedar wood. Getting to the heart of matter
    Reviews

    Getting to the heart of matter

    17 September 2021

    There’s a matter that deserves your attention at Lawrence Wilson Art Gallery, says Jaimi Wright.

    Reading time • 5 minutesVisual Art

Cleaver Street Studio

Cleaver Street Studio

 

Cleaver Street Studio