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ReviewsFluorescent fever dream captures corporate horror
10 March 2023
If you’ve ever worked in a corporate environment then Kimberley Parkin’s dance theatre work Killjoy will be all too familiar, with a satirical slant that brings to mind TV’s The Office, writes Kim Balfour.
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Reviews
Solid groundwork leaps and bounds
18 August 2022
From the office grind to moments of human connection, STRUT Dance’s latest double bill serves up delicious dance, writes Nina Levy.
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Reviews
For those who like their chocolate dark
6 May 2022
Chocolate cake is much more than a delicious treat in Montserrat Heras’s discomforting new work, discovers Nina Levy.
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Reviews
Head-banging synchrony
28 July 2021
Combining the wildness of the mosh pit with the athleticism of contemporary dance, Cry Baby, which made its debut at Fringe World, has been developed into a full length work to be presented at the Rechabite. Ahead of that season we’re sharing Nina Levy’s review of the original.
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Reviews
Tiny fragments of the future?
7 May 2021
The pleasure of watching STRUT Dance’s annual “Short Cuts” program, says Nina Levy, is that you never know when you’re going to see the beginnings of something special.
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Reviews
Head-banging synchrony
17 January 2021
Nina Levy is blown away by the powerhouse rock and energy of contemporary dance show Cry Baby.
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Western Australia’s arts playground
Western Australia’s arts playground
Always was, always will be…
Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region.
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