Superbly danced, West Australian Ballet’s ALICE (in wonderland) is a trip worth taking, advises Kim Balfour.

Western Australia’s arts playground
Western Australia’s arts playground
7 May 2022
Superbly danced, West Australian Ballet’s ALICE (in wonderland) is a trip worth taking, advises Kim Balfour.
28 April 2022
Buoyant and spiritual, LINK’s latest double bill takes to the stage with unrelenting intensity and youthful exuberance, discovers Kim Balfour.
31 March 2022
Pleasingly diverse, there’s something for everyone in WA Ballet’s latest season of dancer-choreographed works, says Kim Balfour.
12 February 2022
West Australian Ballet launches a landmark year with a Perth Festival favourite, and Kim Balfour is swept up in the display of raw emotion.
28 January 2022
Fans of TikTok will probably enjoy dance extravaganza The Underground, says Kim Balfour… but she wants more.
22 November 2021
If you have a sweet tooth when it comes to ballet then Javier Torres’s Sleeping Beauty should satisfy, says Kim Balfour. But if you’re looking for reinvention rather than convention, you won’t find it here.
9 June 2021
From dystopia to salvation, LINK Dance Company’s latest double bill brings together two responses to the loss of connection experienced by artists and audiences over the last year, writes Kim Balfour.
14 May 2021
West Australian Ballet’s 2021 season of Giselle demonstrates that this 180 year old ballet still has the capacity to touch audience’s hearts, says Kim Balfour.
10 March 2021
Playful and meditative, Floeur Alder’s solo work Djilba (Spring): A moment in time leaves the viewer immersed in the tranquility of its bush setting, writes Kim Balfour.
16 February 2021
On opening night of ‘As One: Ballet at the Quarry’ the audience was transported by West Australian Ballet’s emotional expression and technical prowess, Kim Balfour says.