Patrick Gunasekera, Author at Seesawmag

Reviews

A Feast For Understanding

4 May 2026

Immersive play ملعقة (mil-aa-qa) serves a delicious tale of nurturing inclusion through food, writes Patrick Gunasekera.

Reviews

Bush Chook: A Raw, Unflinching Look at Everyday Patriarchy

17 February 2026

Bush Chook is a tense, sharply observed new play that reveals how coercion and entitlement quietly shape young lives. Reviewed by Patrick Gunasekera.

Reviews

An affecting portrayal of personal and cultural change: Butterfly Effect by West Australian Ballet

18 September 2025

Alice Topp’s first full-length ballet Butterfly Effect is a courageous breakaway from conventional representations of gender and mental health, writes Patrick Gunasekera.

Reviews

A restorative and gently powerful double bill

10 July 2025

STRUT Dance and PICA’s Restore program awes with inventively personal, accessible, and timely works, writes Patrick Gunasekera.

Two large stylised clear frames embedded with social media information dominate the stage. A person stands behind a text cloud cut out of the middle of each frame, gesturing as if texting or messaging. This is Happy Meal at Perth Festival. Celebrating trans youth with warmth and wit

Reviews

Celebrating trans youth with warmth and wit

10 February 2023

Happy Meal is an honest and unapologetic story of friendship from the margins that deserves second helpings, writes Patrick Gunasekera.

Zendra Giraudo of WHITESNAKE3000, image by Sophie Minissale - 5 An image from WHITESNAKE3000 - Zendra Giraudo sits with her legs at two right angles, one arm framing her head and the other extended. She is clothed in white t-shirt, loose pants and sneakers. A cathartic reckoning with colonial grief

Reviews

A cathartic reckoning with colonial grief

23 January 2023

WHITESNAKE3000 is a brave and complex new dance theatre work to heal the fractures of mixed race experiences, writes Patrick Gunasekera.

A woman in a glittery green dress, with flowers in her hair, bends one arm towards her face, gesturing something tiny between her fingers, the other hand on her hip. She is wearing a microphone and looks unimpressed. This Karen Lee Roberts in her cabaret Chameleon. Kaleidoscopic cabaret shines light on lonely places

Reviews

Kaleidoscopic cabaret shines light on lonely places

23 January 2023

Chameleon bravely pulls back the curtains on mental illness with humour and heart, leaving Patrick Gunasekera moved and emboldened.

A scene from Utopia: A woman and a man stand facing each other - she has her hands on his shoulders and his smiling warmly at him. His face is angled so we can't see his expression. Dream team crafts riveting theatre in Utopia

Reviews

Dream team crafts riveting theatre in Utopia

15 November 2022

A versatile and brilliant cast brings agency to refugee experiences, writes an enthralled Patrick Gunasekera.

A scene from 'You're So Brave'. Georgi Ivers stands in front of a pole, holding a microphone, her chin tilted and her eyebrows raised. A dynamic representation of living with chronic pain

Reviews

A dynamic representation of living with chronic pain

21 October 2022

Though its narrative thread feels faint, Georgi Ivers’ show about chronic illness and change leaves Patrick Gunasekera feeling moved, satisfied and seen.

Visitors viewing Mandy White, Michelle My Sister, Self Portrait and David My Dad, 2022, acrylic and glitter on canvas, 76 x 56cm. Photograph courtesy of Midland Junction Arts Centre. Two women stand in front of Mandy White's portraits. Their backs are to the camera. One woman has her arm around the other and seems to be speaking gently to her. Portraits of colour, confidence and comfort

Reviews

Portraits of colour, confidence and comfort

17 June 2022

Bright, multidisciplinary reflections on identity celebrate the neurodivergent gaze in art, writes Patrick Gunasekera.

Always was, always will be…

Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region. Continue

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Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region.
Continue