Only Chrissie Parrott could make a success of the multi-layered, darkly comical confection that is Façade, writes Rita Clarke.

Western Australia’s arts playground
Western Australia’s arts playground
15 June 2023
Only Chrissie Parrott could make a success of the multi-layered, darkly comical confection that is Façade, writes Rita Clarke.
17 May 2023
As the days get shorter and the nights get colder, it’s the perfect time to head indoors and enjoy all the arts on offer at Perth’s theatres, galleries and museums. Need some ideas? Our June gig guide is here to help.
10 March 2023
If you’ve ever worked in a corporate environment then Kimberley Parkin’s dance theatre work Killjoy will be all too familiar, with a satirical slant that brings to mind TV’s The Office, writes Kim Balfour.
15 December 2022
Which shows were Seesaw Mag’s favourites this year? We ask our writers to reflect on the year that was… and the year that will be.
25 November 2022
The second iteration of Co3 Contemporary Dance’s ‘IN.HOUSE Studio Season’ provides an intriguing glimpse into the ideas of three dance makers, writes Nina Levy.
15 September 2022
Thirty years after its celebrated debut, Douglas Wright’s Gloria lights up the stage once more, this time with a very special addition. The result, writes Nina Levy, is simply glorious.
9 August 2022
Once again, the annual Performing Arts WA Awards provided an opportunity to celebrate Western Australia’s rich and vibrant performing arts sector.
2 August 2022
At a glance the WA dance sector appears to be flourishing, with two flagship companies, a centre for choreography and an internationally-renowned training facility. But are things as rosy as they seem? Victoria Laurie investigates.
1 June 2022
Emma Fishwick’s work has been described as “dance to savour” by Seesaw Mag critic Rita Clarke. Now the choreographer is inviting audiences to peek at her new project-in-progress.
4 March 2022
The Ninth Wave comes with dynamic performances, strong production values and a powerful message about the state of the world, writes Nina Levy