15 – 22 June @ The Regal Theatre, Subiaco ·
Presented by WAAPA ·
Strictly Ballroom The Musical will quick step, cha cha and samba its way into your heart when it dances on to the stage of the Regal Theatre as WAAPA’s highly anticipated mid-year musical from June 15 to 22.
Based on Baz Luhrmann’s much-loved 1992 film that became a global sensation, Strictly Ballroom The Musical breathes gleeful new theatrical life into the tale of the maverick ballroom dancer who just wants to do his own steps and the shy young Spanish dancer he takes on as his rookie partner.
Defying both convention and their families in their quest to win the Pan-Pacific Grand Prix Dancing Championship, Scott and Fran discover that to be a winner, your steps don’t need to be strictly ballroom. This sequined, sparkling extravaganza features larger-than-life characters, spectacular dance routines and much-loved songs from the hit film, including Time After Time, Perhaps Perhaps Perhaps and Love is in the Air.
There are also fabulous new songs by internationally acclaimed artists such as David Foster, Sia Furler and WAAPA graduate Eddie Perfect, whose original score for the new Broadway hit musical, Beetlejuice was recently nominated for a 2019 Tony Award.
Strictly Ballroom The Musical will be performed by a huge cast of WAAPA’s 2nd and 3rd Year Music Theatre students with an orchestra of WAAPA Music students, under the direction of Crispin Taylor and music direction of David King. Making sure the show’s dance routines are sprinkled with just the right amount of ‘sparkle’ is former WA Ballet principal artist Jayne Smeulders, who now teaches at WAAPA. Returning to their alma mater for this production, thanks to the generous support of the Minderoo Foundation as part of WAAPA Visiting Artist Program, are set designer James Browne and lighting
designer Trent Suidgeest.
So strap on your dancing shoes for this iconic Aussie story about daring to dream and being true to yourself.
Tickets $76 Full / $66 Concession and Friends / Group deals available
Sat 15, Tue 18, Wed 19, Thu 20, Fri 21, Sat 22 June, 7.30pm
Matinee Sat 15 & Sat 22 June, 2.00pm
Book now via Ticketek: Tel: 1300 795 012 or online at www.ticketek.com.au
Review: WAAPA Dance, ‘Verge’ ·
Regal Theatre, 20 November ·
Review by Nina Levy ·
Eighteen years ago I performed in my final season as a WAAPA dance student, and returning to the Geoff Gibbs Theatre to watch the graduating students always provokes nostalgia in me. This year, however, the feeling was diminished, owing to a last-minute change of venue due to technical issues. Despite the stress and disappointment this must have induced (the change involved the cancellation of several performances) the opening night performance of “Verge” at the Regal Theatre was polished and professional.
Opening the program was Suite Romantique, a montage of grabs from 19th century Romantic ballets La Sylphide (August Bournonville) and Giselle (Marius Petipa), Romantic-inspired ballet Les Sylphide (1909, Michel Fokine) and new work choreographed for this season by WAAPA classical dance lecturer Kim McCarthy, to original composition by Italian composer and pianist Ciro Barbato.
Neatly stitched together by McCarthy and WAAPA colleague Danielle Hunt, Suite Romantique delicately wafted the opening night audience through time, and provided many opportunities for the students to shine. As Giselle, Katarina Gajic managed protracted promenades and arabesques with aplomb. She was partnered with assurance by Marcell Stiedl, who also impressed as La Sylphide’s James, with his lofty grande jetes . Also noteworthy were the ethereal Kirsty Clarke, and the charming Sara Ouwendyk. Glorious live music accompaniment was provided by Barbato and Gennaro Di Donna on piano, and Robyn Blann on violin.
Next stop was The Bus to Paradise, by acting Head of Dance Sue Peacock, in collaboration with 18 second year students. Having seen a number of Peacock’s works for WAAPA (and performed in one myself in 1999), I was struck anew by how cleverly she brings out the best in her students.
Exploring the question, “What is paradise?”, this contemporary work is witty and relatable. Beneath the bare branches of an inverted tree, the dancers’ limbs often mimic the shapes above. In pairs, trios, quartets or large-scale clumps they respond to sound that ranges from soothing ambient beats to sensual acoustic guitar… and it wouldn’t be a Peacock work without a microphone to amplify the voices of individual dancers as they relate anecdotes and pose questions about the concept of paradise. The movement is similarly eclectic – now hip-driven and sexy; now languid and lunging; now suspended, ready for explosion.
Beautifully lit by Jasmine Lifford (my favourite state was luminous green to represent “Tropical!”), the student cast performed The Bus to Paradise with panache and sensitivity.
After interval came Stirring Sketches of a Million Love Stories, created for 21 third year students by Portuguese guest artist Filipa Peraitnha. Unlike Peacock’s offering, individuality is subsumed by the whole in this contemporary work; any solo moments are brief and often obscured by the group.
Against an ominously crackling soundscape, into which Camille Saint-Saens’ “The Swan” intermittently breaks, dancers writhe, ripple, shake. Again, the lighting design, this time by Timothy Bonser, impresses. Now cones of light illuminate the dancers from above, and movement becomes crisp and robotic. My favourite section sees the group grooving to Bach’s Brandenburg Concerto No 3 in G. Allegro. This is a smart, sassy work that was performed with depth and precision by the third year students and, though it was hard to discern individuals for long, Alexandra Kay’s seamless solo was a standout.
“Verge” is a relatively long program and by the final work of the evening, Rafael Bonachela’s 2 in D Minor, I was weary. Kudos to the third year cast, then, for catching my attention as it began to wander bedwards.
Created in 2014 for Sydney Dance Company, and remounted here by WAAPA teacher and former SDC dancer David Mack, 2 in D Minor is a series of contemporary solos, duets and small ensemble sections that respond to music by Bach and contemporary composer Nick Wales. The choreography has been personalised for this season, and to excellent effect; all dancers gave commendable performances. Particularly noteworthy was an athletic duet by Alexander Diedler and Marcell Stiedl. In contrast Sara Ouwendyk and Makira Horner’s light-hearted partnership had a child-like sense of play. And, again, Alexandra Kay impressed with her versatile combination of fluidity and precision.
Though the programme is long, it’s worth sparing the time to see the 2018 graduates before they take off into the big wide world.
23 April – 20 May @ The Regal Theatre, the State Theatre Centre of WA & the Hellenic Club of WA ∙
Presented by: Perth Comedy Festival ∙
The Perth Comedy Festival rolls into town 23 April – 20 May with shows at the Regal Theatre (Subiaco), the State Theatre Centre of WA (Northbridge) as well as the Hellenic Club of WA (Perth). The festival includes big names like Shawn Wayans (USA), Ian Bagg (CAN), Jason Byrne (IRE), Stephen K Amos (UK) alongside local funny folk Puppetry of the Penis, Matt Okine, Rhys Nicholson and Alex Williamson. To see the full lineup, head to http://www.perthcomedyfestival.com.