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Articles

  • Alison Kennedy (VIC)
ICU, 2019
240 x 300cm
white ink screenprint
on 30 high impact
polystyrene panel
1/1 Meshing old traditions with new technologies
    Reviews

    Meshing old traditions with new technologies

    10 June 2021

    With a broad definition of what constitutes “print”, the Fremantle Arts Centre Print Award’s openness to boundary-pushing work is one of its greatest strengths, says Miranda Johnson.

    Reading time • 6 minutesVisual Art
  • Colin Smith, Bloodletting, 2020, painted false walls (MDF, timber), oil paintings (oil on ply board), air-dry clay, enamel paint, gold foil alphabet stickers, gold foil contact sheeting, hip chair, muslin, metal curtain rods, fake tree, chairs, water cooling dispenser, clock, scrap paper bin, installation dimensions vary. Photograph: Bo Wong.  A 20 year wait for a queer take
    Reviews

    A 20 year wait for a queer take

    21 October 2020

    Focusing on the perspectives of queer West Australian artists, this year’s ‘HERE&NOW’ exhibition at Lawrence Wilson Art Gallery is both stylish and thought-provoking says Jenny Scott.

    Reading time • 5 minutesVisual Art
  • A man drawing at a desk, with a cat on his shoulder Tainted love
    Opinion

    Tainted love

    25 May 2020

    In this instalment of ‘A day in the life’ we hear from visual artist Andrew Nicholls who finds much to love in his intensely productive COVID-enforced lockdown.

    Reading time • 9 minutesVisual Art
  • A man lying on the floor surrounded by statues A tongue-in-cheek tour
    Reviews

    A tongue-in-cheek tour

    23 January 2019

    Review: Andrew Nicholls, “Hyperkulturemia” · Art Gallery of Western Australia · Review by Miranda Johnson · The Grand Tour was an exclusive educational holiday, primarily undertaken…

    Reading time • 5 minutesVisual Art
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Cleaver Street Studio

Cleaver Street Studio

Cleaver Street Studio