Articles
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The Fringe SessionsCharm in simplicity
22 January 2020
The setting is Rome, the date May 3, 1938, the day that Hitler visited Mussolini. But the drama of A Special Day focuses on a chance encounter between two ordinary people.
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The Fringe Sessions
The end of the world, rock style
22 January 2020
What better way to tell a story about the end of the world than a rock’n’roll cabaret show with plenty of Ziggy Stardust and a nod to Nick Cave?
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Review
Myth, music and magic
22 January 2020
In STYX, Nina Levy finds herself taken on a richly textured journey into memory, myth and loss.
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Review
Test bunny has potential
22 January 2020
Comedian Jez Watts’ foray into musicals is inspired but undeveloped.
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Review
The joy (or not) of comedy
22 January 2020
“While kids are an easy laugh when it comes to scatological matters, they’re also ruthless when it comes to finding people unfunny. There’s no one in a junior audience laughing because they think they’re supposed to laugh.”
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The Fringe Sessions
Musical theatre with heart
21 January 2020
Musical theatre doesn’t have to be purely escapist says Joshua James Webb, director of new contemporary musical Kiss, which will make its world premiere at Fringe World 2020.
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Review
Pub show has feel-good factor
21 January 2020
Rosalind Appleby says Choir of Man is a winner with its mix of friendly welcome, pop ballads and sizzling showbiz.
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The Fringe Sessions
Channelling ghosts on the graveyard shift
21 January 2020
If you’re looking for something spooky this Fringe, Hannah Cockroft’s new play Talkback promises plenty of paranormal activity.
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