Welcome to Seesaw, Western Australia’s premier online arts magazine
-
ReviewBold new ‘Fidelio’ soars
Rosalind Appleby finds the contemporary themes of Alison Croggon’s new libretto sit comfortably in Beethoven’s opera, Fidelio.
100000 -
ReviewA joyous collision
Teac Damsa is back for another Perth Festival, and its new show, MÁM, takes Nina Levy on a wild and crazy ride.
000000 -
ReviewBack from the brink
It’s emotionally brutal theatre, but Claire Trolio feels privileged to experience the lows and highs of I’m a Phoenix, Bitch.
010000 -
ReviewA connoisseur of spectacle
Watching Pandemonium, Erin Hutchinson is mesmerised by cabaret diva Meow Meow’s stage presence and controlled chaos.
100000
-
ReviewBold new ‘Fidelio’ soars
29 February 2020
Rosalind Appleby finds the contemporary themes of Alison Croggon’s new libretto sit comfortably in Beethoven’s opera, Fidelio.
100000 -
ReviewActs of bravery
28 February 2020
Between gasps at the performers’ feats, Isabelle Leclezio finds herself deeply moved by Leviathan’s message.
010000 -
ReviewA joyous collision
27 February 2020
Teac Damsa is back for another Perth Festival, and its new show, MÁM, takes Nina Levy on a wild and crazy ride.
000000 -
ReviewBack from the brink
27 February 2020
It’s emotionally brutal theatre, but Claire Trolio feels privileged to experience the lows and highs of I’m a Phoenix, Bitch.
010000 -
ReviewRaw and relevant
26 February 2020
Amanda Palmer’s voice was raw, earthy and emotive, but Erin Hutchinson found it was her message that was most powerful.
100000 -










