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ReviewBold new ‘Fidelio’ soars
Rosalind Appleby finds the contemporary themes of Alison Croggon’s new libretto sit comfortably in Beethoven’s opera, Fidelio.
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Review
A joyous collision
Teac Damsa is back for another Perth Festival, and its new show, MÁM, takes Nina Levy on a wild and crazy ride.
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Review
Back from the brink
It’s emotionally brutal theatre, but Claire Trolio feels privileged to experience the lows and highs of I’m a Phoenix, Bitch.
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Review
A connoisseur of spectacle
Watching Pandemonium, Erin Hutchinson is mesmerised by cabaret diva Meow Meow’s stage presence and controlled chaos.
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ReviewBold new ‘Fidelio’ soars
29 February 2020
Rosalind Appleby finds the contemporary themes of Alison Croggon’s new libretto sit comfortably in Beethoven’s opera, Fidelio.
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Review
Acts of bravery
28 February 2020
Between gasps at the performers’ feats, Isabelle Leclezio finds herself deeply moved by Leviathan’s message.
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Review
A joyous collision
27 February 2020
Teac Damsa is back for another Perth Festival, and its new show, MÁM, takes Nina Levy on a wild and crazy ride.
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Review
Back from the brink
27 February 2020
It’s emotionally brutal theatre, but Claire Trolio feels privileged to experience the lows and highs of I’m a Phoenix, Bitch.
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Review
Raw and relevant
26 February 2020
Amanda Palmer’s voice was raw, earthy and emotive, but Erin Hutchinson found it was her message that was most powerful.
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