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ReviewsThe disruption and solace of Olga Cironis
14 April 2021
Woven together with various threads, including human hair, ‘Dislocation’ is an appropriate title for a survey of the works of local artist Olga Cironis, discovers Miranda Johnson.
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Features
Cream of the crop 2020
9 December 2020
It feels more important than ever to celebrate the arts in 2020. And so, in spite of the challenges faced by the arts community this year, we are thrilled to bring you Seesaw’s annual ‘Cream of the Crop’ round-up, in which we ask our writers to reflect on the year that was and the year to come.
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Reviews
Multiple twists on reality in trio of exhibitions
11 November 2020
Three new exhibitions at PICA take the viewer on a journey that is aural as well as visual, discovers Craig McKeough.
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Q&A
A golden chair by the sea
12 March 2020
Fremantle-based artist Olga Cironis is a veteran of Sculpture by the Sea. As her latest work, Hush, invites the bottoms of Perth to take a (shiny) seat and contemplate the ocean, she talks to Nina Levy about her work, her creative process and why she loves living in WA.
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Reviews
Telling stories by hand
7 February 2020
The works of the Holmes à Court Gallery’s ‘Fibre’ exhibition each carry traces of their makers, discovers Craig McKeough.
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Reviews
Intricate and ephemeral
13 March 2019
Review: Ted Snell (curator), “RITUAL” · Presented at There is gallery by Lawrence Wilson Art Gallery · Review by Miranda Johnson · Curated by Ted Snell, …
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Western Australia’s arts playground
Western Australia’s arts playground
Always was, always will be…
Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region.
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