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Features
Worth making noise about
8 June 2023
Armed with a new instrument, musician Jeremy Segal is ready to get experimental with some friends. He tells Julie Hosking why you should, too.
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Features
Cream of the crop 2022
15 December 2022
Which shows were Seesaw Mag’s favourites this year? We ask our writers to reflect on the year that was… and the year that will be.
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Reviews
Musical explorations from the edge
27 April 2022
Tune Noise Tune’s series of experimental performances is giving local audiences new opportunities to hear innovative sounds, and the latest instalment has Kristian Borring mesmerised.
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Reviews
From abstract acid house to pointillist landscapes
20 April 2021
Two mixed bill experimental music and sound programs intrigue Jonathan W. Marshall at this year’s Audible Edge festival.
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Features
Festival a sound idea
16 February 2021
Audible Edge is back! The festival of sound has released its line up for April, and it includes names that will probably surprise you. Curators Josten Myburgh and Annika Moses explain why sound is not just the province of musicians.
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Features
Cream of the crop 2019
13 December 2019
Which shows were Seesaw writers’ favourites this year? What were the highlights and lowlights for the arts in WA? And which artists will our contributors be looking out for in 2020? As 2019 draws to a close, Seesaw writers reflect on the year that was and the year that will be.
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Reviews
Montaged blocks and slow accumulations: Live musique concrète with GreyWing Ensemble
9 April 2018
Review: GreyWing Ensemble, Lines of Flight · Gallop House, Dalkeith, 6 April · Review by Jonathan W. Marshall · GreyWing consists of Lindsay Vickery (clarinet and electronics), Catherine Ashley (harp) …
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