Aesoteric brings a varied listening experience to a Perth Festival audience, offering a glimpse into Perth’s diverse music subcultures, writes Eduardo Cossio

Western Australia’s arts playground
Western Australia’s arts playground
1 March 2022
Aesoteric brings a varied listening experience to a Perth Festival audience, offering a glimpse into Perth’s diverse music subcultures, writes Eduardo Cossio
18 October 2021
Take a glimpse at the next generation of Western Australian composers with a concert Eduardo Cossio says demonstrated a spirit of collaboration.
12 April 2021
Audible Edge Festival of Sound is underway and Eduardo Cossio reviews ‘Serf Punk’, a concert that explores representation and meaning – and its absence.
23 February 2020
The balance of restful and hectic energy in Robin Fox’s concerto for a laser beam was an absorbing experience for Eduardo Cossio.
20 February 2020
Eduardo Cossio finds The Necks’ concert an act of discovery, full of tight corners and elegant solutions.
23 October 2019
Review: GreyWing Ensemble, ‘Text’ ⋅ The Sewing Room, October 8 ⋅ Review by Eduardo Cossio ⋅ Local ensemble GreyWing are known for performing works that mix environmental sounds with …
9 July 2019
Review: Louise Devenish, ‘Sheets of Sound’ ⋅ Perth Institute of Contemporary Art, June 28 ⋅ Review by Eduardo Cossio ⋅ “Sheets of sound” is how jazz critic Ira Glitter …
2 June 2019
Review: Intercurrent Ensemble, ‘Walkman Antiquarian’ ⋅ UWA Callaway Auditorium, 27 May ⋅ Review by Eduardo Cossio ⋅ Developments in technology brought new performance tools for musicians in the …
29 April 2019
Review: Zubin Kanga ‘Piano Ex Machina’ ⋅ State Theatre Centre, April 24 ⋅ Review by Eduardo Cossio ⋅ Many contemporary composers have sought to create works that are …
11 March 2019
Perth Festival review: Soft Soft Loud, Procession ⋅ Fremantle Arts Centre, March 2 ⋅ Review by Eduardo Cossio ⋅ Soft Soft Loud’s cross-genre contribution to the Perth Festival this …