Michelle White, Author at Seesawmag

Sandra Hill, Minang/Wardandi/Ballardong/Nyoongar peoples, Double Standards, 2015, National Gallery of Australia, Canberra, purchased 2016 with the support of Warwick Hemsley and The Hon. Melissa Parke to mark Mr Hemsley's tenure on Council and in recognition of the 50th Anniversary of the 1967 Referendum. What looks like an abstracted version of the Australian flag is actually composed of tiny squares, each depicting the double standards that exist for black and white Australia Tina Baum curates a statement of cultural survival

Reviews

Tina Baum curates a statement of cultural survival

14 March 2022

Often tackling confronting issues, the Art Gallery of WA’s “Ever Present” is a stunning and thought-provoking exhibition, says Michelle White.

A group of performers on stage, the central figure wears leather jacket and black and white checked pants, and has an arm raised in the air in a defiant gesture. The word PINK appears behind them in large pink letters BarbieQ and Kinetica fire up the party

Reviews

BarbieQ and Kinetica fire up the party

3 February 2022

A circus troupe and drag artist join forces in a fitting tribute to a pop superstar, writes Michelle White.

Bruce Denny. Photo: Duncan Wright Bruce Denny stands in a shaft of light, one hand raised as though trying to block the glare. In the background is a corrugated fence. A rich and hearty recipe for success

Reviews

A rich and hearty recipe for success

30 April 2021

Telling a cracking good story, the debut season of Zac James’s Kangaroo Stew has all the right ingredients, says Michelle White.

YEDI / SONGS from Patrick William Carter, 2021, installation at PICA. Image by Cole Baxter An image from a video installation by Patrick William Carter, with three panels. All three panels show an abstract pattern painted in green on a pink background. The middle panel shows a First Nations man playing a guitar. Dancing his drawings to life

Reviews

Dancing his drawings to life

4 March 2021

Disciplines collide in ‘YEDI / SONGS from Patrick William Carter’ to create a joyful retrospective of the artist’s work, reports Michelle White.

Yabini Kickett, Burdiya-ka (Bosses) (Caroline Kickett and Helen Picket), 2021 Two portraits of First Nations Women, both photographed in bush settings. The woman on the left looks straight to the camera. She wears a light turquoise t-shirt. The woman on the right wears a pink t-shirt and looks out to the right, away from the camera. Both women look calm. Stories of survival

Features

Stories of survival

2 March 2021

Curated by Glenn Iseger-Pilkington ‘nyinalanginy / the gathering’ is a thoughtful and provocative exhibition of works by First Nations people of the Indo-Pacific region, writes Michelle White.

Reviews

Michelle White, a river kid raised in Mandoon (Guildford), says Witness Stand has much to tell us about the Noongar culture of the Derbarl Yerrigan, and she finally discovers why the Devil’s Elbow was out of bounds.

Reviews

Sparks fly over unfinished business

12 February 2021

Watch out for Kalyakoorl Collective, says Michelle White, as she feels the heat in FIRE, its debut work.

Q&A

Freo artist wins NAIDOC prize

12 November 2020

National NAIDOC week kicked off Sunday 8 November so we’re re-sharing Michelle White’s interview with Tyrown Waigana, who designed this year’s NAIDOC Week poster.

Features

Noongar writer grapples with trauma

29 September 2020

As part of “Come to Where I Am – Australia”, Noongar actor, director, producer and writer Ian Michael has penned a short play that takes a personal look at racial injustice. Michelle White found out more.

Q&A

Freo artist wins NAIDOC prize

14 July 2020

NAIDOC week may have been postponed but its prestigious national poster competition is right on schedule, and the winner is Fremantle artist Tyrown Waigana.

Author Archives: Michelle White

Tina Baum curates a statement of cultural survival

BarbieQ and Kinetica fire up the party

A rich and hearty recipe for success

Dancing his drawings to life

Stories of survival

Tales from the riverbank

Sparks fly over unfinished business

Freo artist wins NAIDOC prize

Noongar writer grapples with trauma

Freo artist wins NAIDOC prize

Always was, always will be…

Seesaw respectfully acknowledges the traditional owners and custodians of the land on which we live and work, the Whadjuk people of the Noongar nation and their elders, past, present and emerging. Continue

Sign up

for all the latest arts news and updates

Seesaw respectfully acknowledges the traditional owners and custodians of the land on which we live and work, the Whadjuk people of the Noongar nation and their elders, past, present and emerging.
Continue