Fringe World review: “MicroMove” curated by Shona Erskine & Harriet Roberts · The Blue Room Theatre, 13 February · Review by Nina Levy · “MicroMove” almost …
Genre Archives:
Hell nods to Beckett
13 February 2018
Fringe World review: GOTO Hell by Cody Fullbrook · The Hellenic Community Centre, 9 February · Review by Tiffany Ha · GOTO Hell, fittingly staged in the …
String theory
13 February 2018
Fringe World review: Annette Nykiel’s “Meeting Place” · Spectrum Project Space · Review by Belinda Hermawan · A product of Annette Nykiel’s three-week residency at Spectrum Project Space at …
For kids only!
10 February 2018
Fringe World review: Josephine by Second Chance Theatre · The Blue Room Theatre, 7 February · Review by Cass Runyon & Varnya Bromilow · Cass Runyon, aged …
Degrees of comfort
9 February 2018
Are you sitting comfortably? If not, why not? These are some of the questions choreographer April Vardy asks in her new work Shall we get comfy?, …
Darkness proves immersing
9 February 2018
Fringe World review: Less Light by Lazy Yarns · The Round – State Theatre Centre, February 7 · Review by Xan Ashbury · It’s one of …
Bemusing but beguiling
9 February 2018
Fringe World review: Fisticuffs by Sven Hopla · Cirquest, 8 February · Review by Suzanne Ingelbrecht · A rope hanging from the rafters, a punch bag …
A middle-aged view of adolescence
8 February 2018
Fringe World review: Seventeen by Turquoise Theatre · The Blue Room Theatre, 7 February · Review by Nina Levy · Wednesday evening saw me catch two …
Superstar Joan is not to be missed
8 February 2018
Fringe World review: Joan by Lucy J Skilbeck · State Theatre Centre Round, 7 February · Review by David Zampatti · The idea of the teenage warrior/martyr/saint Joan of …
Solo show submerges audience in emotion
7 February 2018
Fringe World review: 19 Weeks by Emily Steel · COMO Pool at COMO The Treasury as part of Blue Room Summer Nights, 3 February 2018 · Review …