Chrissie Parrott Archives

Reviews

Eloquent eccentricity in fabulous Façade

15 June 2023

Only Chrissie Parrott could make a success of the multi-layered, darkly comical confection that is Façade, writes Rita Clarke.

Article

Inside the WA Dance Makers Project

27 August 2018

This September, Co3 Australia will launch the 2018 MoveMe Festival with a double dance bill celebrating four dynamic West Australian women, led by the legendary Chrissie …

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3.3 is about an emerging young Indigenous dancer, on the brink of an international career, thrown into a holding cell because of his skin colour and torn between two cultures. Ian Wilkes dances the young man. His mentor and choreographer Indigenous dance legend Michael Leslie Challenges him in this new adaptation of a new work by Michael.

Ultimately, he just wants to dance. The young man is caught in the middle. The terrible legacy of this dilemma is that the young black fella believes gaol is also a rite of passage for young men in his community. Aboriginal people represent 3.3% of the total population, yet more than 28% of Australiaís prison population. Don't miss this dynamic and powerful dance conversation between this dance mentor and the next generation dance legend

As a commitment by Ochre to the support of West Australian dancers and choreographers, we will be presenting ëBeyondí the work of internationally acclaimed choreographer Chrissie Parrot and dancer Floeur Alder. Chrissie has been commissioned by original Ochre member Floeur Alder to make a solo to commemorate the dancerís 40th birthday and a professional relationship spanning almost 30 of those years. A transformative solo that is mesmeric enigmatic and virtuosic taking dancer and audience on a transformative journey traversing an imaginary landscape. 3.3 is about an emerging young Indigenous dancer, on the brink of an international career, thrown into a holding cell because of his skin colour and torn between two cultures. Ian Wilkes dances the young man. His mentor and choreographer Indigenous dance legend Michael Leslie Challenges him in this new adaptation of a new work by Michael. Ultimately, he just wants to dance. The young man is caught in the middle. The terrible legacy of this dilemma is that the young black fella believes gaol is also a rite of passage for young men in his community. Aboriginal people represent 3.3% of the total population, yet more than 28% of Australiaís prison population. Don't miss this dynamic and powerful dance conversation between this dance mentor and the next generation dance legend As a commitment by Ochre to the support of West Australian dancers and choreographers, we will be presenting ëBeyondí the work of internationally acclaimed choreographer Chrissie Parrot and dancer Floeur Alder. Chrissie has been commissioned by original Ochre member Floeur Alder to make a solo to commemorate the dancerís 40th birthday and a professional relationship spanning almost 30 of those years. A transformative solo that is mesmeric enigmatic and virtuosic taking dancer and audience on a transformative journey traversing an imaginary landscape. Extraordinary dance from Ochre

Reviews

Extraordinary dance from Ochre

31 May 2018

Review: Ochre Contemporary Dance Company, 3.3 and Beyond · Subiaco Arts Centre, 29 May · Review by Varnya Bromilow · Shadows on shadows, a body slowly …

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Article

Reclaiming language through dance

23 May 2018

It’s been decades since Michael Leslie has taken to the stage but the legendary Aboriginal dancer and choreographer is about to perform in his new work, 3.3. …

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Always was, always will be…

Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region. Continue

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Eloquent eccentricity in fabulous Façade

Inside the WA Dance Makers Project

Extraordinary dance from Ochre

Reclaiming language through dance

Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region.
Continue