In First Encounters, Jaimi Wright explores how four contemporary artists reimagine the VOC shipwreck archives, offering powerful new perspectives on colonial history, identity and memory.

Western Australia’s arts playground
Western Australia’s arts playground

2 February 2026
In First Encounters, Jaimi Wright explores how four contemporary artists reimagine the VOC shipwreck archives, offering powerful new perspectives on colonial history, identity and memory.

9 January 2026
Jaimi Wright reviews Aaron Ashworth’s debut exhibition Over Exposure at PS Art Space, a vivid exploration of nostalgia and the fragmented realities of the digital age through psychedelic oil paintings.

8 January 2026
Radical Futures: Nexus spotlights Goldfields artists reimagining community, culture, and connection across Western Australia’s vast regions. Curated locally and born from collaborative workshops, the exhibition explores place‑based challenges and aspirational paths forward through diverse media. Written by Sarah‑Jayne Eeles.

17 December 2025
Artist Tamorin Lavers turns GPS trails, gold prospecting and lived experience into a quietly joyful exhibition, writes Sarah-Jayne Eeles.

11 December 2025
Objet d’Art is a vivid and affectionate tribute to the late Theo Koning, charting his evolution from painter to sculptor to irrepressible tinkerer of the everyday. Jaimi Wright explores the exhibition.

8 December 2025
In Microfictions, Hylozoic/Desires invite audiences into a contemplative drift through deep time, mapping shifting continents, memory and cosmic scale. Reviewer Jaimi Wright finds the work a rare blend of intimacy and immensity, offering a space to think far beyond the self.

27 November 2025
Ben Frost brings two major works to the Fremantle Biennale. Mark Naglazas explores Frost’s journey from Hollywood outsider to experimental trailblazer, and the powerful ideas behind A Predatory Chord and Whalefall.

20 November 2025
Melbourne artists Charlie Lawler and Wona Bae find home for life on Earth in a toxic environment for humankind, writes Mark Naglazas.