Hachiko_SeeSaw-Leaderboard-1-e1656642577423.jpg
Nicholas Carter, Wesley College, 'Dad' 2020, graphite on paper, two parts: 104.5 x 80 cm each (framed)  Two black and white portraits of a man, one of the back of his head, one of his face. He is bald and looks to be about 50 years old. He looks calm and serious. Quality not quantity for the win
Reviews

Quality not quantity for the win

17 May 2021

This year’s “Pulse Perspectives” may be smaller in size than usual but the result is a treat, says Craig McKeough.

Reading time • 7 minutesVisual Art
Colin Smith, Bloodletting, 2020, painted false walls (MDF, timber), oil paintings (oil on ply board), air-dry clay, enamel paint, gold foil alphabet stickers, gold foil contact sheeting, hip chair, muslin, metal curtain rods, fake tree, chairs, water cooling dispenser, clock, scrap paper bin, installation dimensions vary. Photograph: Bo Wong.  A 20 year wait for a queer take
Reviews

A 20 year wait for a queer take

21 October 2020

Focusing on the perspectives of queer West Australian artists, this year’s ‘HERE&NOW’ exhibition at Lawrence Wilson Art Gallery is both stylish and thought-provoking says Jenny Scott.

Reading time • 5 minutesVisual Art

Cleaver Street Studio

Cleaver Street Studio

Cleaver Street Studio