Delving and dancing into chronic sickness, Salome δ is a wild and multi-layered ride but the landing is surprisingly gentle, finds Nina Levy.

Western Australia’s arts playground
Western Australia’s arts playground
30 January 2022
Delving and dancing into chronic sickness, Salome δ is a wild and multi-layered ride but the landing is surprisingly gentle, finds Nina Levy.
20 January 2022
In their new burlesque-cabaret work, local theatre makers Joe Lui and Phoebe Sullivan dive into desire, to strip away some ugly truths. But what prompted them to lay these issues bare?
17 January 2022
A biblical story collides with COVID as a team of dancers and theatre makers explore the story of Salome. Find out more from deviser and performer Andrew Sutherland in this Festival Sessions interview.
7 July 2021
The intergalactic mayhem of Beginning at the End (of Capitalism) may be hard to navigate but David Zampatti says its worth it for the simple truth that emerges from the tumult.
23 May 2021
Solo dance work JULIA is a work for our times, a powerful statement of feminist resistance and rage, with a glimmer of hope, writes Nina Levy.
20 April 2021
Two mixed bill experimental music and sound programs intrigue Jonathan W. Marshall at this year’s Audible Edge festival.
7 December 2020
Cleverly weaving together two performances delivered in parallel, The Golem: or, Next Year in Jerusalem is obscure yet fascinating, writes David Zampatti.
30 October 2020
Live theatre is back at The Blue Room, with a new play that’s exciting, pertinent and ambitious, reports David Zampatti.
6 November 2019
Review: Squid Vicious, Cephalopod · The Blue Room Theatre, 4 November · Review by David Zampatti · It never rains but it pours; we have two …
5 May 2019
Review: Julia Croft, Harriet Gillies & Joe Lui, Death Throes · The Blue Room Theatre, 1 May · Review by Jonathan W. Marshall · You can …