Fringe World review: Kallo Collective, Only Bones v1.0 ·
The Blue Room Theatre as part of Summer Nights, 12 February ·
Review by Nina Levy ·
Before I begin writing about Only Bones v1.0, I have some advice. Go and book your ticket now. I’m in two minds about whether you should then read this review, or wait until after you’ve seen the show. Maybe wait until after you’ve seen the show.
Because a great deal of the pleasure of this witty and eccentric show comes from its surprises.
Described by its makers – New Zealand’s Thom Monckton and Gemma Tweedie and Finland’s Kallo Collective – as “minimalist micro-physical theatre”, Only Bones 1.0 is understated. The performance begins in near darkness. All that is visible is a pair of incredibly articulate hands (belonging to solo performer Monckton) that swim through a small circle of submarine blue light; rippling and twitching, inflating and collapsing. The soundscape, provided by onstage-but-barely-visible technician Tweedie, is ambient, soothing.
So far, so chill… but things are about to change for the funnier.
For the next 40 odd minutes, the tracksuit-clad Monckton uses his wonderfully mobile body, to entertain and delight. Initially, we see only his limbs. A sock-masked hand is an interloper between a pair of feet. Two hands have a melodramatic nail polished-based duel.
Gradually more of Monkton’s body is revealed but there’s trouble with the head – it just won’t stay put on top of his neck. The antics that follow have the audience gasping with laughter and disbelief in equal measure. Monkton’s body has a rubber-like capacity to change shape, while his mobile face appears to be made of plasticine that can be pulled into any expression.
It’s all accompanied by a mix of cleverly-timed sound effects from Tweedie as well as various wordless squeaks, grunts and mutterings from Monkton himself. Without giving too much away, a game of mix-the-animal-sounds is a highlight of the show.
The intimacy provided by the Blue Room Theatre’s performance space is just right for this small-scale show.
My own non-plasticine face ached from grinning. Only Bones v1.0 is an absolute treat.
Pictured top: Thom Monckton’s mobile face appears to be made of plasticine that can be pulled into any expression. Photo: Dmitrijus Matvejevas.
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