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17.	Gobawarrah-Yinhawangka Traditional Owners and Michael Bonner, Gobawarrah-Yinhawangka Horizon Line, 2023 acrylic on wall, installation view in Black Sky, Lawrence Wilson Art Gallery, 2023, photograph by Rebecca Mansell The entrance to Black Sky is painted black, with an orange line that bisects the wall erratically. A leap of faith into the abyss
Reviews

A leap of faith into the abyss

29 March 2023

Generous and powerful, Lawrence Wilson Art Gallery’s Perth Festival exhibition explores the role of the night sky in First Nations culture, as a bridge between this world and other realms, writes Ilona McGuire.

Reading time • 7 minutesVisual Art
One of the works at Lawrence Wilson Art Gallery: a stylised screen print of a woman screaming. Women artists form a powerful chorus
Reviews

Women artists form a powerful chorus

5 July 2022

Vibrating with tension and energy, ‘Sustaining the Art of Practice’ is an exhibition that amplifies the voices of women, reports Jaimi Wright.

Reading time • 5 minutesVisual Art
L-R: Maxxi Minaxi May, Deconstructing beauty, 2003, plastic dolls, paint, foamcore and wood, 105 x 21 x 5.7 cm, Cruthers Collection of Women’s Art, The University of Western Australia. Copyright and courtesy of the artist. Glenys Hodgeman         
Death is never out of style, 2000                              
cotton embroidery on paper burial shroud, 194 x 157 cm
  © courtesy of the artist.
Lilla Lowe, Apples and apple blossoms, 1896, oil on cedar panel, 90 x 26.5 cm, Cruthers Collection of Women’s Art, The University of Western Australia.  Three artworks appear alongside one another. On the far left is a shelving unit - each shelf contains plastic doll body parts, sorted by type. In the middle is A piece of white fabric with various human organs embroidered in red thread, as well as the words Le mort est jamais se demode. On the right is an oil painting of apples and blossoms on cedar wood. Getting to the heart of matter
Reviews

Getting to the heart of matter

17 September 2021

There’s a matter that deserves your attention at Lawrence Wilson Art Gallery, says Jaimi Wright.

Reading time • 5 minutesVisual Art
TextaQueen, Me (Arlene TextaQueen), 2001, fibre tipped pen on cotton paper, 100 x 70 cm, Cruthers Collection of Women’s Art, The University of Western Australia. The collection includes work by women and non-binary artists. © the artist. A detail from a picture of a woman of colour with flaming red hair, against a background of textas. The work is drawn in texta and has been cropped so that it is a head and shoulder shot. Paper Cut draws blood
Reviews

Paper Cut draws blood

17 March 2021

Against the backdrop of rallies for an end to violence against women, the agitation for change in Lawrence Wilson Art Gallery’s ‘Paper Cut’ is at once historical and timely, finds Belinda Hermawan.

Reading time • 6 minutesVisual Art
A lady smiles at the computer, alongside is another image of a computer screen during a zoom call Curator Lee Kinsella reveals a visual arts treasure trove
Podcasts

Curator Lee Kinsella reveals a visual arts treasure trove

13 November 2020

Australia’s largest collection of women’s art is now available online. In the second podcast from the winter season of the Seesaw Lounge, curator Lee Kinsella takes us through some of her favourite works.

Reading time • 3 minutesVisual Art
Reading time • 7 minutesVisual Art

Cleaver Street Studio

Cleaver Street Studio

 

Cleaver Street Studio