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Reading time • 7 minutes
Chills on the nightshift
Reviews

Chills on the nightshift

29 January 2020

Monica Main gives a bravura performance as an unhappy medium in Talkback, David Zampatti says.

Reading time • 3 minutesFringe World Festival
St John Cowcher singing into a microphone The end of the world, rock style
The Festival Sessions

The end of the world, rock style

22 January 2020

What better way to tell a story about the end of the world than a rock’n’roll cabaret show with plenty of Ziggy Stardust and a nod to Nick Cave?

Reading time • 5 minutes
A close up of a dial-face telephone, in the dark Channelling ghosts on the graveyard shift
The Festival Sessions

Channelling ghosts on the graveyard shift

21 January 2020

If you’re looking for something spooky this Fringe, Hannah Cockroft’s new play Talkback promises plenty of paranormal activity.

Reading time • 7 minutes
Girl in a carrot suit, in a supermarket aisle Fresh food and feminism
The Festival Sessions

Fresh food and feminism

21 January 2020

Set on the shelves of a supermarket, BITE ME, by emerging local playwright Sian Murphy, takes a playful approach to sparking a conversation about the male gaze.

Reading time • 6 minutesTheatre
Tony Bonani Miyambo puts on a powerfully physical performance as Red Peter in Kafka's Ape. Caught between worlds
Reviews

Caught between worlds

21 January 2020

Tony Bonani Miyambo gives a masterful physical performance in the gut-wrenching work that is Kafka’s Ape, writes Craig McKeough.

Reading time • 4 minutesFringe World Festival
A woman (Essie Barrow) thrusts her chest out at a man (Iskandar R. Sharazuddin). The aftermath of first love
The Festival Sessions

The aftermath of first love

17 January 2020

Ah young love! The giddy highs while it lasts, the despair when it ends… but it’s the aftermath that UK-based playwright and performer Iskandar R. Sharazuddin explores in his latest work Post-Mortem, which will make its Australian premiere at Fringe World 2020.

Reading time • 8 minutesDance
Tony Bonani Miyambo puts on a powerfully physical performance as Red Peter in Kafka's Ape. Never more relevant
The Festival Sessions

Never more relevant

15 January 2020

The fine line between human and animal is just one of the ideas explored in Kafka’s Ape, a solo performance by South African ensemble Yililiza, that will make its Australian debut at Fringe World this January.

Reading time • 6 minutes
Reading time • 3 minutesFringe World Festival
Reading time • 2 minutesFringe World Festival

Cleaver Street Studio

Cleaver Street Studio

 

Cleaver Street Studio