Reviews/Visual Art

When nature fights back

14 July 2021

The place of human beings in the ecosystem hierarchy is questioned in two clever exhibitions at Goolugatup/Heathcote Gallery, and Craig McKeough is intrigued.

‘Defence/Defiance’, Holly O’Meehan; ‘Habitation and Decay’, Ben Crappsley ·
Goolugatup/Heathcote Gallery ·

We often think of the human impact on Western Australia’s unique and fragile natural environment as a continuing process of destruction. The colonist mentality has been to conquer the land and turn it to our own advantage; whether for urban development, agriculture or mineral extraction, it seems nature must bow to our will.

Artist Holly O’Meehan suggests an alternative narrative in her exhibition “Defence/Defiance” at Goolugatup/Heathcote Gallery. The exhibition title points to a state of hope, where nature is not simply a passive player waiting to be plundered. Rather it is a resilient system that can adapt to changing circumstances, survive and even thrive.

A close up of a ceramic rock, with spiky pale green protuberances, alongside a crocheted pouch, made of natural-looking fibres. These sit on a bed of sand, with small pebbles scattered about.
Ceramic spikes, thorns and armour: Holly O’Meehan’s ‘Defence/Defiance’, install view.

This quietly beautiful collection of small works, crafted from the unlikely combination of clay, found natural materials and crocheted yarn, demonstrates a diverse range of ways natural forms might defend themselves.

O’Meehan is inspired by the landscapes of the Great Southern region where she grew up, and this is memorably evoked in some of the dramatic mini-landscapes she has conjured from different clays and found materials. She cleverly teams these with her deftly crocheted forms to mimic and soften the textures and forms that make up her landscapes and objects.

The inclusion of found objects such as stones and shells, and sand and soil of various colours adds to the landscape effect.

These are laid out on tables through the middle of the Main Gallery and to move around them is akin to following a drone flight over a fantasy world.

In fact, the arrangement mimics the topography of Koi Kyenunu-ruff (the Stirling Range), the dominant geological feature of O’Meehan’s home territory.

Among it we see examples of the landscape’s defiance. Human incursion has dramatically and irreversibly changed the natural systems of the Great Southern region as big areas of bush give way to farmland. But the use of ceramic spikes, thorns and armour, and masses of hair suggest an array of defence mechanisms – a means of the landscape evolving to hold its own amid human interference.

Elsewhere, O’Meehan changes scale and examines some of the region’s unique wildlife in macro form. These include found sticks suspended on the walls, providing the perfect base for pupating creatures and spiky quills in ceramics, and fungi-inspired ruffles of crocheted yarn. Intricately formed porcelain pieces suggest a variety of organisms, whether marine life or rare flora, but seen at this enlarged scale, each displays a strength that defies their seemingly vulnerable state.

Digitally altered photographs show the cockroach conquering the human world: Ben Crappsley, ‘Effort’, digital collage on paper, 30 x 21 cm

Ben Crappsley also examines human interaction with other species in his exhibition “Habitation and Decay”, and reminds us that the world truly belongs to the cockroach.

We are all familiar with the story – that this reviled insect is the most resilient creature on Earth, and that if anything can survive a nuclear holocaust the cockroach will be it.

Crappsley takes that notion a step further in his mixed media pieces that make up this small series. Here we see digitally altered photographs depicting roaches conquering the human world – looming over city skylines, resident in our seats of power and even looking down on us from space, hinting at the alien-like nature of the most ubiquitous creatures in our domestic settings.

It’s an entertaining, if slightly unsettling look at how humans fit in the natural order of things and our precarious hold on global order.

“Defence/Defiance” and “Habitation and Decay” continue until 15 August 2021.

Pictured top: Holly O’Meehan, ‘Untitled (Landscape)’, 2021, various ceramics and found objects, dimensions vary. Photo: Holly O’Meehan

Like what you're reading? Support Seesaw.

Author —
Craig McKeough

Craig McKeough is a writer and visual artist, with a lifetime’s experience in journalism, covering everything from the arts to horse racing, politics and agriculture. Craig has always been drawn to the swing; an egalitarian, grounding piece of equipment where you can go as high and wild as you want, but you’ll always return to where you started.

Past Articles

  • Photos capture this extraordinary moment in time

    In spite of leaning towards tradition in some respects, the IRIS Award 2021 makes for a compelling survey of contemporary photography in Australia and beyond, Craig McKeogh finds.

  • Cornucopia of craft surprises and delights

    Ambitious and diverse, Fremantle Arts Centre’s instalment of ‘IOTA21: Curiosity and Rituals of the Everyday’ is a seamless continuation of the celebration of contemporary craft that began at John Curtin Gallery, discovers Craig McKeough.

Read Next

  • Humphrey Bower as Prospero. Photo Daniel J Grant Prospero kneels at the front of the sand covered stage, his staff raised and his head upturned. In the background we can see other characters from the play. Terrific team tackles The Tempest

    Terrific team tackles The Tempest

    25 November 2021

    David Zampatti is no fan of The Tempest. Is Black Swan’s “by popular demand” production going to change his mind?

    Reading time • 6 minutes
  • Juan Carlos Osma as Prince Desiré and Alexa Tuzil as Princess Aurora in The Sleeping Beauty. Photo by Bradbury Photography copy A female ballerina in an elaborate tutu is held by a male ballet dancer. He clasps her around her waist and her legs are both airborne, one bents and one extended vertically.Her torso angles downwards, so that her shape is a graceful arc. Too many soft centres in chocolate box ballet

    Too many soft centres in chocolate box ballet

    22 November 2021

    If you have a sweet tooth when it comes to ballet then Javier Torres’s Sleeping Beauty should satisfy, says Kim Balfour. But if you’re looking for reinvention rather than convention, you won’t find it here.

    Reading time • 6 minutesDance
  • A woman with flouro red hair sings accompanied by another woman on a keyboard Fresh breeze blows labels out the door

    Fresh breeze blows labels out the door

    22 November 2021

    Tenth Muse Initiative’s composer showcase has Claire Coleman pondering the usefulness of categories like “classical music”.

    Reading time • 5 minutesMusic

Cleaver Street Studio

Cleaver Street Studio

Cleaver Street Studio