Kati Thamo’s stunning solo exhibition has an old-world sensibility, but its themes of displacement and journeys are pertinent for our times, writes Craig McKeough.

Western Australia’s arts playground
Western Australia’s arts playground
7 June 2022
Kati Thamo’s stunning solo exhibition has an old-world sensibility, but its themes of displacement and journeys are pertinent for our times, writes Craig McKeough.
1 June 2022
“Tracks We Share” takes the viewer on a breathtaking journey through stories of the First Peoples of the Pilbara, discovers Craig McKeough.
4 May 2022
AGWA’s annual showcase of Year 12 art takes the pulse of a switched-on generation ready to make their mark on the world, writes Craig McKeough.
27 April 2022
From colourful optimism to dark glossiness, Art Collective WA’s clever pairing of artists draws in Craig McKeough.
4 April 2022
Nada Murphy’s solo exhibition is a thoughtful examination of connections to water and country, and a pertinent statement for the times, writes Craig McKeough.
29 March 2022
Anyone who grew up around Perth and its waterways will find Tony Jones’s new exhibition appealing, says Craig McKeough, but you don’t have to be a boatie to appreciate this show.
10 March 2022
Multiple screens and a poetic visual style lift Isaac Julien’s film works well above the ordinary in this Perth Festival installation, writes Craig McKeough.
1 February 2022
In her Fringe World exhibition Sonia Payes portrays humanity under stress but, as Craig McKeough observes, there is hope in the heat of adversity.
1 December 2021
In an impressive field, it’s the confidence of experience that distinguishes Merrick Belyea’s work, writes Craig McKeough.
7 October 2021
In spite of leaning towards tradition in some respects, the IRIS Award 2021 makes for a compelling survey of contemporary photography in Australia and beyond, Craig McKeogh finds.