Articles

Reviews

Jaha Koo Serves a Playful Feast in Haribo Kimchi

20 February 2026

Haribo Kimchi mixes live cooking, storytelling and Korean cultural references in an intimate late‑night setting. Victoria Laurie reflects on the work’s tender humour and the way taste and memory travel.

Reading time • 5 minutesTheatre
Reviews

Bush Chook: A Raw, Unflinching Look at Everyday Patriarchy

17 February 2026

Bush Chook is a tense, sharply observed new play that reveals how coercion and entitlement quietly shape young lives. Reviewed by Patrick Gunasekera.

Reading time • 8 minutesTheatre
Reviews

The Holy Mother Unhinged: Virgin Bloody Mary at The Laugh Resort

16 February 2026

Virgin Bloody Mary turns sacred storylines into an unhinged, wordless Fringe spectacle of crackers, chaos and divine mischief. Review by Rose Florindo.

Reading time • 5 minutesTheatre
Reviews

Witness the power of ‘The Wetness’

13 February 2026

Dive into The Wetness, a hilariously immersive late‑night Fringe World ritual where Rose Kingdom‑Barron leads audiences through a slippery celebration of all things wet. Sarah Chaffey writes.

Reading time • 6 minutesTheatre
Reviews

Lessons in Masculinity: Making of a Man

6 February 2026

Bringing together dance and research into masculinity, Making of a Man is a lesson for our times, writes Nina Levy.

Reading time • 7 minutesTheatre
Reviews

A dash of Gasha hints at bigger potential

3 February 2026

Cover Image: Promotional artwork for Gasha, Cirquework’s high‑energy Japanese‑themed contemporary circus show. Image supplied. GASHA – by Cirquework, JapanICF: WAREHOUSE at the Ice Cream FactoryFringe World, 31 …

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Reading time • 5 minutesCircus
Reviews

Taming of the Bard

1 February 2026

Bogan Shakespeare: Taming of the Shrew brings a sharp feminist twist, local WA satire and big comic energy to the Bard’s most divisive comedy at Fringe World. Harvey Rae writes.

Reading time • 4 minutesTheatre
Reviews

A Ritual of Becoming: Black Girl in Five Acts

29 January 2026

Black Girl in Five Acts is a poetic, ritualistic Fringe World performance exploring Black girlhood, identity and self‑definition with tenderness, clarity and power. Charity reflects on this powerful performance.

Reading time • 6 minutesTheatre

Always was, always will be…

Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region. Continue

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Seesaw Magazine acknowledges the traditional custodians of the lands on which we work and live, the Whadjuk people of the Noongar Nation. We acknowledge and respect their continuing culture and the contribution they make to the life of this city and this region.
Continue