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EngageContemporary Dance – What is it and how to watch it.
3 July 2026
Daunted by contemporary dance? We’re here to help, with a short guide to unlock the secrets of this artform. A critic’s guide to watching contemporary dance, by Nina Levy.
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ReviewsEnter Coda delivers a striking double bill of control and abandon
29 May 2026
LINK Dance Company’s Enter Coda pairs eerie precision with ecstatic release in a punchy double bill lighting up The Liberty Theatre.
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FeaturesA New Stage for Perth: ECU City Campus Lights Up the CBD
6 February 2026
ECU’S new City Campus opens to students this week, an imposing steel-and-LED-light box brimming with promise. Victoria Laurie was shown around and excited by what she saw.
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ReviewsEcholocation – WAAPA’s farewell resonates with heart and history
27 November 2025
WAAPA farewells its Mount Lawley campus with Echolocation. Rita Clarke follows the pathways that honour decades of creativity, community and artistic training.
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ReviewsWAAPA’s final Verge is a triumph laced with nostalgia
18 November 2025
In its final season inside the Geoff Gibbs Theatre, WAAPA’s Verge presents a beautifully crafted evening of ballet and contemporary works. From ghostly Romantic classics to Antarctic-inspired landscapes and a playful, history-rich finale, the 2025 showcase is both a farewell and a celebration of the school’s evolving legacy. Nina Levy writes.
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ArticleHeath Ledger hiatus for fly system
18 November 2025
Theatre workers welcome a long-awaited replacement of the State Theatre Centre’s malfunctioning fly system, but major companies face more than a year of reduced capacity. Victoria Laurie reports.
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ReviewsIt’s got to be Perfect: Tivoli Lovely a standing ovation success for WAAPA
12 November 2025
Tony-nominated writer Eddie Perfect’s new musical at WAAPA is a roaring success.
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FeaturesEddie comes west to perfect a new Australian musical
6 November 2025
Eddie Perfect with director Dean Bryant and choreographer Kelley Abbey are a part of the huge team bringing to life a new Australian musical. Mark Naglazas writes.
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