Traversing a range of human emotion, West Australian Ballet’s latest triple bill is an evening of beautifully performed contemporary dance, reports Kim Balfour.
Author Archives: Kim Balfour
Morgan Owen sweetens difficult conversations with laughter
2 June 2022
Although long and densely packed, Morgan Owen’s new play strikes a harmonious balance between weighty subject matter and comedy, writes Kim Balfour.
A rabbit hole brimming with vivid sensory experiences
7 May 2022
Superbly danced, West Australian Ballet’s ALICE (in wonderland) is a trip worth taking, advises Kim Balfour.
LINK Dance Company delivers a dazzling celebration
28 April 2022
Buoyant and spiritual, LINK’s latest double bill takes to the stage with unrelenting intensity and youthful exuberance, discovers Kim Balfour.
Short, sharp and shiny
31 March 2022
Pleasingly diverse, there’s something for everyone in WA Ballet’s latest season of dancer-choreographed works, says Kim Balfour.
Platinum standard under the stars
12 February 2022
West Australian Ballet launches a landmark year with a Perth Festival favourite, and Kim Balfour is swept up in the display of raw emotion.
Quick-switching show delivers dopamine hits
28 January 2022
Fans of TikTok will probably enjoy dance extravaganza The Underground, says Kim Balfour… but she wants more.
Too many soft centres in chocolate box ballet
22 November 2021
If you have a sweet tooth when it comes to ballet then Javier Torres’s Sleeping Beauty should satisfy, says Kim Balfour. But if you’re looking for reinvention rather than convention, you won’t find it here.
The human touch
9 June 2021
From dystopia to salvation, LINK Dance Company’s latest double bill brings together two responses to the loss of connection experienced by artists and audiences over the last year, writes Kim Balfour.
Romantic tale transcends the centuries
14 May 2021
West Australian Ballet’s 2021 season of Giselle demonstrates that this 180 year old ballet still has the capacity to touch audience’s hearts, says Kim Balfour.