LINK Dance Company’s Enter Coda pairs eerie precision with ecstatic release in a punchy double bill lighting up The Liberty Theatre.
Genre Archives:
Reviews
Matthew Morris’s Until Falling Things Work, delivers a moving performance on memory, grief and joy
15 May 2026
Matthew Morris delivers a moving performance where memory, grief, humour and movement mingle in a richly textured, deeply human theatrical experience.
Reviews
Gloria – A Triple Bill
7 April 2026
A multidisciplinary, cross-country collaboration that creates space to notice the passage of time, consider the complexities of ancestry and marvel at lasting legacies.
Features
Dance dreams are made of this
28 September 2023
Less than a decade into his career, local choreographer Scott Elstermann has presented work at the prestigious Venice Biennale, mentored by the renowned Wayne McGregor. He gives guest writer Ruby Michael the lowdown.
Reviews
Straight talk reveals resilience behind anguish
16 September 2023
Despite its focus on the inhumanity of incarceration, Jurrungu Ngan-ga has the audience laughing and on its feet with admiration, writes Rita Clarke.
Reviews
Creative fusion delivers dreamy dynamic
23 June 2023
Lovers of contemporary dance are in for a treat as WAAPA honours students dazzle in Outbound, writes Nina Levy.
Reviews
Eloquent eccentricity in fabulous Façade
15 June 2023
Only Chrissie Parrott could make a success of the multi-layered, darkly comical confection that is Façade, writes Rita Clarke.
Reviews
Pace, grace and talent in WAAPA dance bill
10 June 2023
WAAPA’s annual mid-year program showcases the talents of the current crop of dance students with a line-up that’s varied enough to ensure everyone will walk away with a favourite, writes Kim Balfour.
Reviews
Climbing the stairs of human struggle
13 April 2023
The challenges of human existence are made manifest in dance piece Catch 22. Rita Clarke lauds the choreographer’s inventive use of movement in a magnetic performance.
Reviews
Tracker evokes trails and tribulations
2 March 2023
The all-First Nations production of Tracker puts racial injustice firmly in the spotlight through a seamless blend of words and dance, writes Nina Levy.
