In exploring pleasure in its various forms, Giorgia Schijf and her dancers bring that very commodity to the audience, discovers Nina Levy.
Genre Archives:
Reviews
A very French affair
27 January 2022
Chanteuse Anne Millar takes us on a one-woman journey to 1930s Paris, and Erin Hutchinson finds it is one for the avid Francophile.
The Festival Sessions
A tale of working 9 to 5
27 January 2022
Making its world premiere at Fringe World 2022, The Almost Completely Terrible Tale of Felicity Footin is a didactic fable that makes a mockery of the modern workplace.
Reviews
Comedian captures this moment in time
27 January 2022
Laura Davis makes her return to Fringe after an international foray, and Erin Hutchinson welcomes her style of “positive pessimism”.
The Festival Sessions
Bubble trouble
27 January 2022
Fringe World favourite Luke Bolland is back with a Perth-centric stand-up show inspired by WA’s COVID-19 bubble.
Reviews
Rising stars have it all
25 January 2022
Stardom is an elusive dream, as the cast of ALLSTARS make clear, but David Zampatti sees plenty of evidence to suggest this exciting trio have what it takes.
Reviews
Childbirth stripped bare
25 January 2022
A visceral and highly physical story of one woman’s experience of childbirth – in all its guts and glory – The Dirty Mother is a performance that demands to be heard says Claire Trolio.
Reviews
One man’s torturer is another man’s prophet
24 January 2022
Someone told David Zampatti they’d seen enough of Tomás Ford. After Campfire Ukulele Torture he (still) begs to differ.
Reviews
Journey in the realm of dreams
22 January 2022
A new dance collective draw their audience into the world of a child’s imagination in their debut show, and Rosalind Appleby is entranced.
Reviews
Choir puts heart into the groove
21 January 2022
A community choir without the cringe, Menagerie’s motley crew are laying it down for disco lovers and protesters alike. Rosalind Appleby tunes in to one of Fringe’s most popular choirs.
