Evan Rickman’s So It Comes to Dust is a thoughtful, atmospheric meditation on violence, loyalty and the moral cost of war, writes Darcy Lewis.

Western Australia’s arts playground
Western Australia’s arts playground

6 August 2026
Evan Rickman’s So It Comes to Dust is a thoughtful, atmospheric meditation on violence, loyalty and the moral cost of war, writes Darcy Lewis.

4 August 2026
Taking on 23 roles in Shakespeare’s longest play, Eddie Izzard delivers an ambitious, funny and impressively lucid solo Hamlet – even if some of the tragedy’s emotional depths remain out of reach.

29 July 2026
Yirra Yaakin Theatre Company’s At What Cost? balances wit, warmth and political fire in a powerful work about identity, bureaucracy and the limits of good intentions.

23 July 2026
The Blue Room Theatre’s 600 Seconds – MUSIC program offers an engaging snapshot of Perth artists testing bold, intimate and entertaining new ideas.

22 July 2026
Incoming Spare Parts artistic director Iain Grandage tells Victoria Laurie why listening deeply, sharing leadership and taking puppetry into public spaces will shape his next act.

13 July 2026
Kalgoorlie-Boulder’s oldest community theatre faces closure while sports facilities receive stronger funding pathways and recognition for community infrastructure needs.

2 July 2026
The Almost Collective’s sharp comedy where spies, spectacle and distraction collide inside a theme park hurtling towards chaos, satire and revelation. Alicia Patrick reviews Ride or Die.

26 June 2026
Black Swan’s raw, funny The Almighty Sometimes finds heartbreak, humour and hard truths in one family’s fight for control.

16 June 2026
WAAPA’s third-year actors bring youthful urgency, contemporary style and emotional clarity to Shakespeare’s enduring tragedy of love and social conflict.

18 May 2026
Kate Ferguson reviews Black Swan’s The Shepherd’s Hut, a stark, minimalist adaptation that captures Tim Winton’s portrayal of harsh beauty and moral complexity.