If you’ve ever worked in a corporate environment then Kimberley Parkin’s dance theatre work Killjoy will be all too familiar, with a satirical slant that brings to mind TV’s The Office, writes Kim Balfour.
![Fluorescent fever dream captures corporate horror](https://www.seesawmag.com.au/wp-content/uploads/fly-images/57164/DSC_5891-410x273-c.jpg)
Western Australia’s arts playground
Western Australia’s arts playground
10 March 2023
If you’ve ever worked in a corporate environment then Kimberley Parkin’s dance theatre work Killjoy will be all too familiar, with a satirical slant that brings to mind TV’s The Office, writes Kim Balfour.
18 August 2022
From the office grind to moments of human connection, STRUT Dance’s latest double bill serves up delicious dance, writes Nina Levy.
6 May 2022
Chocolate cake is much more than a delicious treat in Montserrat Heras’s discomforting new work, discovers Nina Levy.
28 July 2021
Combining the wildness of the mosh pit with the athleticism of contemporary dance, Cry Baby, which made its debut at Fringe World, has been developed into a full length work to be presented at the Rechabite. Ahead of that season we’re sharing Nina Levy’s review of the original.
7 May 2021
The pleasure of watching STRUT Dance’s annual “Short Cuts” program, says Nina Levy, is that you never know when you’re going to see the beginnings of something special.
17 January 2021
Nina Levy is blown away by the powerhouse rock and energy of contemporary dance show Cry Baby.