Against the backdrop of rallies for an end to violence against women, the agitation for change in Lawrence Wilson Art Gallery’s ‘Paper Cut’ is at once historical and timely, finds Belinda Hermawan.
![TextaQueen, Me (Arlene TextaQueen), 2001, fibre tipped pen on cotton paper, 100 x 70 cm, Cruthers Collection of Women’s Art, The University of Western Australia. The collection includes work by women and non-binary artists. © the artist. A detail from a picture of a woman of colour with flaming red hair, against a background of textas. The work is drawn in texta and has been cropped so that it is a head and shoulder shot. Paper Cut draws blood](https://www.seesawmag.com.au/wp-content/uploads/fly-images/31647/TextaQueen-410x273-c.jpg)
Western Australia’s arts playground
Western Australia’s arts playground
17 March 2021
Against the backdrop of rallies for an end to violence against women, the agitation for change in Lawrence Wilson Art Gallery’s ‘Paper Cut’ is at once historical and timely, finds Belinda Hermawan.