Visual arts

Kimsooja Zone of Nowhere

Flags for a new world order

Perth Festival review: Kimsooja's "Zone of Nowhere" · Perth Institute of Contemporary Arts (PICA) · Review: Belinda Hermawan · When ...
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Lisa Reihana Emissaries

A rich and tender alternative

Perth Festival review: "Emissaries" by Lisa Reihana · John Curtin Gallery · Review by Miranda Johnson · Lisa Reihana’s "Emissaries" ...
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untitled gathering basket

String theory

Fringe World review: Annette Nykiel's "Meeting Place" · Spectrum Project Space · Review by Belinda Hermawan · A product of Annette Nykiel's three-week ...
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Lebens Mittel

Lebens Mittel

Eat from the food life gives By which we count our days It need not be as rich as Croesus ...
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A space of one's own

A space of one’s own

Artist-run galleries form a vital part of the visual arts ecosystem, acting as breeding grounds for new ideas and practices, ...
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How to choose your Fringe World shows

How to choose your Fringe World shows

Seesaw’s Nina Levy offers her tips for avoiding a Festival freak out navigating the Fringe World program. Ah Fringe World ...
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Welcome to the House of Joys

Welcome to the House of Joys

Dreaming up new worlds for people to experience is what KAN Collective's Noemie Huttner-Koros loves about performance-making, so she's excited about ...
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Best of beads

Best of beads

Tiny and colourful, fiddly and fun, iron-together beads have been keeping children occupied for over 50 years. But can they ...
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The interpretation of [downstream] dreams

The interpretation of [downstream] dreams

An essay about Tom Blake’s “Downstream Dreams”, exhibited at Moana Project Space, 17-19 November 2017 · By Belinda Hermawan · Within ten ...
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Cream of the crop

Cream of the crop

What were Seesaw writers' favourite shows this year? What were the highlights and lowlights for the arts in WA? And ...
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Artivism: reaching beyond trauma

Artivism: reaching beyond trauma

Eugenio Viola talks to Phoebe Mulcahy about "I don't want to be there when it happens", his first exhibition as ...
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Perth Festival picks

Perth Festival picks

Seesaw co-editor Nina Levy shares her tips for the 2018 Perth Festival. One of my favourite things about living in ...
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Close encounters of the remote kind

Close encounters of the remote kind

Review: Visitants: Close encounters with remote Western Australia ◆ FORM Gallery, Perth ◆ Review by Belinda Hermawan ◆ For those ...
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Side by side

Side by side

What happens when you exhibit amateur and professional art works side by side... and anonymously? You'll be able to find ...
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Beauty and the bathroom

Beauty and the bathroom

Review: Within Touching Distance, Mardi Crocker ◆ Spectrum Project Space ◆ Review by Jenny Scott ◆ The fine details of ...
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Unpacking our libraries: a reflection on creating

Unpacking our libraries: a reflection on creating

Behind every artist is a rich collection, a "library", compiled of works by other creators, writes Claire Coleman. Walter Benjamin’s ...
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Every cat has its day

Every cat has its day

Review: The Life and Times of Scarface Claw ◆ Awesome Festival, State Library of WA ◆ Review by Phoebe Mulcahy ...
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Rethinking the landscape

Rethinking the landscape

Review: Looking Glass, Gregory Pryor ◆ Art Gallery of WA ◆ Review by Phoebe Mulcahy ◆ Hear "landscape" with reference to the ...
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Reality cheque

Reality cheque

Review: Taylor Reudavey’s "I Know How Hard It Can Get" Moana Project Space, 9 September Review by Belinda Hermawan Taylor ...
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Telling West Australian stories

Telling West Australian stories

Wendy Martin, artistic director of Perth International Arts Festival, talks to Nina Levy about the artists and audiences she has ...
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Science made poetic and personable

Science made poetic and personable

Review: 'Energies: Haines & Hinterding' · Perth Institute of Contemporary Art, 1 September · Review by Jenny Scott · The intangible energies ...
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Sparking dialogue

Sparking dialogue

Review: "Silence", Kyle Hughes-Odgers - Turner Galleries, opening night 1 September - Review by Belinda Hermawan - In contrast with ...
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Vantage point

Vantage point

Review: The Perth Centre for Photography’s Iris Award 2017 - Review by: Belinda Hermawan - This year’s finalists for the ...
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Scratching Under the Surface: Richard Bell

Scratching Under the Surface: Richard Bell

Review: Scratch an Aussie, Richard Bell - Art Gallery of Western Australia, 22 August - Review by Belinda Hermawan - In ...
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Rapping and weaving: Hannah Brontë

Rapping and weaving: Hannah Brontë

Claire Trolio catches up with Hannah Brontë, one of nine artists performing in the 2017 Proximity Festival. I’ve managed to ...
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Transmission Interrupted - Alex Hobba: A Conversation

Transmission Interrupted – Alex Hobba: A Conversation

Review: "A Conversation", Alex Hobba -  Moana Project Space -  Review by Phoebe Mulcahy -  As much as we may ...
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Implanted clouds: Builded Remnants

Implanted clouds: Builded Remnants

Review: Builded Remnants - Berndnaut Smilde - The Goods Shed - Reviewed by Phoebe Mulcahy It is a testament to ...
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Twists, turns and music: Jenny Simpson (Part II)

Twists, turns and music: Jenny Simpson (Part II)

In "Twists, turns and music: part I", AWESOME Arts CEO Jenny Simpson told Nina Levy about her past; a childhood ...
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Twist, turns and music: Jenny Simpson (Part I)

Twist, turns and music: Jenny Simpson (Part I)

This year Jenny Simpson is celebrating a decade at the helm of AWESOME Arts, an organisation dedicated to making incredible ...
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Something in nothing: Immaterial

Something in nothing: Immaterial

by Gemma Ben-Ary and Mandy Harwood - Spectrum Project Space, Edith Cowan University, Mt Lawley - Reviewed by Belinda Hermawan ...
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Montages: More than just a supercut

Montages: More than just a supercut

Review: Montages: The Full Cut 1999–2015 - Artist Tracey Moffatt and collaborator Gary Hillberg - Wanneroo Gallery - Reviewed by ...
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