Fringe World review: Mask a Pony Theatre, Blueberry Play ·
Blue Room Theatre as part of Summer Nights, 18 January 2019 ·
Review by David Zampatti ·
The young writer Ang Collins brings sharp observational ability to the story of a teenage girl approaching adult life in Blueberry Play, and the result is a fine overture to the Summer Nights programme at the core of theatre at Fringe World.
A girl (Julia Robertson) lives in a small Australian town with her mum, a fat old labrador called Dave and her dad, who is battling both the cancer that will likely soon kill him and the bipolar disorder that might get him first.
Her story builds to a precarious, though unresolved, climax that fractures all their lives but prepares her for the world outside her little horizons.
Collins describes the mundane (how, for example, a brightly coloured lolly snake turns white when you stretch it) and the profound with equal felicity and insight. Her writing is beautifully realised by Robertson, whose impressive emotional range allows the story to swing from playful comedy to wrenching moments with ease, investing all the play’s characters with distinct, multifaceted life and authenticity.
Blueberry Play is wonderful to watch, and would be just as satisfying, I suspect, to read for the poetry of its text. At the same time it has an aware artlessness that reminds me of the best of contemporary Australian songwriters; if it was a song, it would be by Courtney Barnett.
Pictured top is Julia Robertson in “Blueberry Play”. Photo: Nick Fry.
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