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Kids/Reviews/Circus

Blueprint for the future

7 October 2019

AWESOME Review: DADAA and CircusWA, Experience Collider ⋅
Studio Underground, State Theatre Centre of Western Australia, October 4 ⋅
Review by Robert Housley ⋅

Experience is fundamental to our passage through life. It is how life manifests itself and how we interact with the world.

When significant boundaries inhibit the physical and psychological experience of existence, finding ways to enrich it are even more critical to a life well lived.

The 28 young people in this Awesome 2019 show – half with high-needs disabilities, half from the CircusWA Youth Troupe – embrace the joy of collaboration that has doubtless enriched the lives of all involved.

At the heart of this Sam Fox-directed performance is the desire to create a world of equality which, he suggests, could be “a blueprint for the future.”

Inclusiveness and equality go hand in hand, just as hold, the first of several themed components of the performance, proved.

The simple intimacy and symbolism of holding hands permeated the opening scenes, which had the entire cast and a fair number of the support crew intermingling on stage together. When an aerialist suspended about seat-height from the ground wrapped her arm around an electric wheelchair-bound performer and he literally took them for spin, the night was off to a brilliant start.

Electric wheelchairs abounded as did a range of circus props including aerial apparatus, landing mats and hula hoops.

Movement of all kinds – from dance to gymnastics – was integral, as was a sense of fun.

A film crew kept popping up and occasional shorts were projected onto two large screens either side of stage.

Between the screens was a large-scale revolving door-like entryway, which provided tactile curtaining and featured strongly in the most heart-warming of the short films.

The heart strings were pulled to breaking point in the joyful pas de deux between Mohammed Waheedy and Lila Campbell. Waheedy climbed unaided from his wheelchair on to a long mat, where circus performer Campbell waited, and together they choreographically rolled around for the sheer pleasure of it.

Onstage composer/musician Roly Skender provided beautiful atmospherics, enhanced with periods of live acoustic guitar.

Music for teenagers was most aptly celebrated near the end of the show with a full run of Perth band Tame Impala’s hit song “Let it Happen”.

Fox and the team of professional collaborators involved in the 18-month show development certainly did everything their power to guide this remarkable event and let the experiences happen for everyone.

Pictured top (left to right): Leila, Maddie, Hugo and Arlo   Photo: Peter Cheng.

Read reviews of ‘Experience Collider’ by Junior Critics Gabriel and Sascha Bott (age 10 and 8).

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Author —
Robert Housley

Robert Housley returns to arts journalism following a 20-year hiatus managing performing arts venues. He was the last arts editor of Perth’s Daily News and has worked as a journalist in London, Cape Town and Amsterdam. Robert’s favourite item of playground equipment is the swing and its enduring challenge: how high can you go?

Past Articles

  • The very model of a man

    Pep talks from alpha males and drills with the coach are all part of the show in Team of the Decades, as Robert Housley finds out.

  • A dozen cheeky answers

    Robert Housley finds much to tantalise in the sexy circus show, How Much Do You Love Me?

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