Reviews/Theatre

Tattooing a feminist perspective

8 February 2023

Dureshawar Khan’s deep dive into the complex and colourful history of tattooing is insightful, inclusive and intimate, writes Barbara Hostalek.

Bright & Bold: Memoirs of a Desk Goblin, The Goblin Itself
The Blue Room Theatre, 7 February 2023

Did you know that in Australia there are more tattooed women, proportionate to the population, than men? Ten percent more women than men are inked.

That statistic is one reason local theatre makers Dureshawar Khan and Susie Conte have teamed up to present Bright & Bold: Memoirs of a Desk Goblin, a one-woman show that delves into the colourful and complex history of tattooing, from a feminist perspective.

A scene from Bright & Bold - Dureshawar Khan poses to show off her tatts
‘Bright & Bold’ is grounded in Dureshawar Khan’s own experiences as a ‘desk goblin’ . Photo: Mustafa Al Mahdi

Devised and performed by Khan and directed by Conte, Bright & Bold is grounded in Khan’s experiences as a former “desk goblin”, that is a tattoo shop receptionist. It’s a role in which artistry and hospitality intersect in a delicate financial transaction of wants and needs.

Significant moments in feminist tattoo history are brought to life in this well-crafted and considered dramatic piece. Shot through with stories of people overcoming barriers to excel, it’s a strong tonic for increasing humanity’s collective hope. 

Opening night jitters were quickly calmed as the performance moved beyond the lines of “pleasure and pain”.

Over 70 minutes, Khan takes the audience on a global journey, weaving together untold stories. Travelling back to the 1960s there’s Australia’s first tattooed model, 19 year old solo parent Cindy Ray Robinson from Williamstown, Victoria, who went on to found Moving Pictures Tattoo.

In Chicago we find Cliff Raven, an openly gay tattoo operator who created Chicago’s the first tattoo supply company. In homophobic 1960s USA, Raven invested huge time and effort into sterilisation practices for the industry.

Closer to home, Tattoos by Collette has been operating in Inglewood since 1979. Collette continues to provide creative inspiration on her Facebook page. 

Though the subject matter is specific, the themes are universal and recognisable – racism, discrimination, exclusion – and explored with passion and humour. It’s fascinating, too, to learn about what stimulated a shift to include women in a male-dominated industry – mostly necessity.
 
Throughout Bright & Bold, projections of carefully curated captioned photographs, some colour and some black and white, assist with transitions between stories and the progression of the narrative arc.
 
Insightful, inclusive and intimate, Bright and Bold: Memoirs of a Desk Goblin reminds us that history – if acknowledged – can resurrect and conserve art forms. And I will never see a green dot in the same light again.
 
Bright & Bold: Memoirs of a Desk Goblin continues at The Blue Room Theatre from 7 February to 11 February 2023

Pictured top is Dureshawar Khan as she takes the audience on a global journey. Photo: Mustafa Al Mahdi

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Author —
Barbara Hostalek

Barbara Hostalek is an independent First Nations playwright proud to be living with Noongar Boodjar. She began writing plays at Yirra Yaakin Theatre Company’s Writers group in 2015. Her work has been produced by Yirra Yaakin Theatre Company (Cracked), Black Swan Theatre Company (Unsung Heroes monologue series: Own Way) and Mudskipper Productions (Banned). Park fun play? Hands down, the sandpit.

Past Articles

  • What to SEE: The Bleeding Tree

    With its all-First Nations cast, Ian Michael’s production of Angus Cerini’s revenge thriller The Bleeding Tree was a smash hit at The Blue Room last year. If you missed out, don’t worry – you can catch it at the State Theatre this month.

  • Cruel deadly play has plenty of koort

    Yirra Yaakin Theatre Company’s much-loved rom-com is heading to Kalgoorlie, Albany and Bunbury. Ahead of the tour we’re re-sharing Barbara Hostalek’s review of its debut season.

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