The Beyond Realms is a new children’s theatre group making magic at the Subiaco Arts Centre Junior reviewers Isabel and Eddy Greentree review their school holiday show.
![a young man with flowers in his hair and face painting holds a dragon puppet in his hand Where fairies dance and dragons lurk](https://www.seesawmag.com.au/wp-content/uploads/fly-images/31939/Beyond-the-Dragons-Lair-1-410x273-c.jpg)
Western Australia’s arts playground
Western Australia’s arts playground
12 April 2021
The Beyond Realms is a new children’s theatre group making magic at the Subiaco Arts Centre Junior reviewers Isabel and Eddy Greentree review their school holiday show.
31 March 2021
The Easter holidays are coming and we’ve compiled a list of creative adventures for families.
2 March 2021
The combination of comic and poignant moments in Yirra Yaakin Theatre Company’s The Sum of Us wins Barbara Hostalek’s heart.
18 February 2021
David Zampatti finds Children of the Sea a moving but chilling reminder of the human cost of Australia’s shameful handling of sea-borne refugees.
17 January 2021
There’s a lesson in all the clever acting and great fun of The Lucky Cat, as junior reviewer Asha Grandage discovers.
8 January 2021
New Perth-based theatre company Monkey Brain will be making its debut at the 2021 Fringe World Festival, with a show about the luckiest cat in the world. Why is that a particularly pertinent topic in 2021? Monkey Brain founder Yvan Karlsson explains.
4 November 2020
What happens when a feminist theatre company takes on a classic feminist play? Miranda Johnson finds out.
19 October 2020
Returning to the stage for the first time since the pandemic, Yirra Yaakin Theatre Company has teamed up with Goolarri Media Enterprises to present a new work that provides us all an opportunity to reflect on the way we live our lives, says Barbara Hostalek.
12 February 2020
Jan Hallam says Hecate, Yirra Yaakin’s Noongar interpretation of Macbeth, is a breathtaking achievement.
1 February 2020
Tiffany Ha discovers kittens are the perfect antidote to the sometimes stifling formality of Baroque concerts.