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Kids/Reviews/Theatre

Joyful storytelling in Gruffalo sequel

23 November 2018

Review: CDP Theatre Producers, The Gruffalo’s Child ·
State Theatre Centre of WA, Heath Ledger Theatre, November 21 ·
Review: Robert Housley ·

Toddler tears in less than five minutes and pierced chambers of the inner ear from a crying baby could not douse the enjoyment of The Gruffalo’s Child, a slick production from accomplished touring company CDP Theatre Producers.

Nor could it dampen the enthusiasm of its wonderfully cohesive cast, comprising Jade Paskins, Madison Hegarty and Skyler Ellis.

It was just another day at the office for children’s theatre targeted at the 3+ age group, as it was for accompanying parents and grandparents.

Oh, for the afternoon sleep.

For the most part the whipper-snappers were just as fixated on this stage adaptation of the immensely popular eponymous children’s book as they have been on the book itself (and as they were on The Gruffalo, of which this book and production are sequels). My neighbouring grandmother and her four-year-old grandson even brought the hard copy sequel along for a quick read before the show.

The real joy of this production is in its story telling, with whip-smart direction from Olivia Jacobs (with associate director Liesel Badorrek) moving the action along at a pace to keep the youngsters engaged.

The cast also fill their roles perfectly. Paskin’s Child beautifully captures the essence of the Gruffalo’s inquisitive daughter on her plight to find the Big Bad Mouse in the Deep Dark Wood.

Hegarty deftly plays narrative guide, wafting through the play with sound effects and movement, and joining in the occasional ensemble songs (music and lyrics by Jon Fiber and Andy Shaw; additional lyrics by Olivia Jacobs and Robin Price; choreographer Morag Cross; associate choreographer Luanna Priestman).

Ellis steals the show somewhat, in an actor’s dream role, playing multiple characters from the snoring Gruffalo to the salesman Fox. His radical change of voice for each character and the stunning companion costumes show both his considerable talent and that of designer Isla Shaw (puppet design by Yvonne Stone).

Like all of the best children’s theatre, the kids are encouraged to be part of the action in this production, and Wednesday’s audience spontaneously complied: clapping, singing and generally responding to invitations to get involved.

The simple set of truncated, leafless trees is seamlessly modified to accommodate the various scenes and disguise the numerous on-stage costume changes.

Lighting changes (design by James Whiteside) are kept to a minimum throughout so the kids can see all of the action all of the time while not making the Deep Dark Wood so deep or so dark.

Sleep, little one, sleep.

The Gruffalo’s Child is performed until December 2.

Junior review ·
Review by Isabel Greentree, age 9 ·

Many children may have read the story of The Gruffalo’s Child or seen the movie, but none are like this amazing stage performance. CDP Theatre Producers’ musical version of The Gruffalo’s Child, directed by Olivia Jacobs and performed by Madison Hegarty, Skyler Ellis and Jade Paskins, is a fun-filled hour of entertainment.

At the start, three children are playing in the snow and they begin to tell a scary story about the Gruffalo, but are interrupted by some loud snores. We meet the Gruffalo and his child when he is telling her a story about the Big Bad Mouse. He gives her the Stick Man to give her courage. When he is asleep, the Gruffalo’s Child tries to play hide and seek with the Stick Man but eventually gets bored and sets out on an adventure to find the Big Bad Mouse.

She meets several animals including the Snake (throwing a party), the Owl (giving flying lessons) and the Fox (trying to sell everything). Each meeting with an animal involves a song. In the end, the Gruffalo’s Child meets a mouse who tells her he is a friend of the Big Bad Mouse and manages to scare her away.

The set included spooky trees with branches shaped like long fingers. There was a wide yellow moon behind the trees, glowing gently. The costumes were clever and effective.

My favourite part was when the mouse nearly wakes up the Gruffalo with her squeaking. I also enjoyed the way the Gruffalo’s Child could never quite keep up with the dancing. There were lots of jokes and funny parts for adults and children alike. The very young children in the audience really enjoyed it too. I really liked the play and think it is suitable for all ages. Go and see it while you can!

The Gruffalo’s Child is performed until December 2.

 

Photo: Heidrun Lohr

 

 

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Author —
Robert Housley

Robert Housley returns to arts journalism following a 20-year hiatus managing performing arts venues. He was the last arts editor of Perth’s Daily News and has worked as a journalist in London, Cape Town and Amsterdam. Robert’s favourite item of playground equipment is the swing and its enduring challenge: how high can you go?

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