11352-Visual-Arts-EOI-Seesaw-Ad-970x90-2.gif
Reviews/Cabaret/Fringe World Festival

Sassafras satisfies

26 January 2019

Fringe World review: Sassafras: Under Paris Skies⋅
Ellington Jazz Club, January 24⋅
Review by Steve Baitz⋅

Acoustic gypsy-jazz band Sassafras presented a world-class musical performance to the capacity audience that filled Ellington’s Jazz Club on Thursday night. The five-piece band entered as the lights dimmed and, before our eyes could adjust to the darkness, launched into a haunting rendition of Jacques Brel’s Le diable (Ça va), evoking the Paris of Picasso, Dali and Matisse.

Jessie Gordon fronted the band, her scintillating vocals coaxing the audience into involuntary rhythmic finger snapping and tapping our emotions. The musicians fed off each other’s energy as well as that of the room with tight synchronicity. A rendition of Je t’aime highlighted the skills of Pete Jeavons on double bass. Sidney Bechet’s Si tu vois ma mere allowed Adrian Galante to shine with a clarinet solo that absolutely wowed the appreciative audience.  Aaron Deacon and Lachlan Gear kicked in with excellent guitar work, ably anchored by Jeavons on bass. The title song, Under Paris skies was released gently to the crowd followed by Le deux guitares, Spencer Williams’ I’ve found a new baby, and of course, Edith Piaf’s La vie en rose. The audience applause was eventually interrupted by the final number, Toute ma joie. Gordon aptly described the night’s musical journey as 75% emotional agony and 25% joy.

Club manager, Tony Wallace, kept operations smooth with an unobtrusive food and beverage service to a responsive and respectful crowd – a perfect venue for Sassafras’s performance. This proved to be a most enjoyable hour. I went in quite grumpy from a tough day and left feeling light and satisfied.

Picture Top: The musicians from Sassafras. Photo: Corey James

Like what you're reading? Support Seesaw.

Author —
seesawmag

Past Articles

Read Next

  • One of the works at Lawrence Wilson Art Gallery: a stylised screen print of a woman screaming. Women artists form a powerful chorus
    Reviews

    Women artists form a powerful chorus

    5 July 2022

    Vibrating with tension and energy, ‘Sustaining the Art of Practice’ is an exhibition that amplifies the voices of women, reports Jaimi Wright.

    Reading time • 5 minutesVisual Art
  • A person in a black shirt looks down at a cardboard dog he's holding to his chest. Cardboard puppy steals hearts
    Reviews

    Cardboard puppy steals hearts

    4 July 2022

    Spare Parts Puppet Theatre’s holiday production Hachiko: The Loyal Dog moves young writer Bethany Stopher with its bewitching cardboard creations.

    Reading time • 6 minutesTheatre
  • Outcome Unknown. Two people sit at tables in a darkened space. One is plucking at stringed instruments lying flat on the desk and the other in the foreground is adjusting electronic keyboards Electronica surges at Outcome Unknown
    Reviews

    Electronica surges at Outcome Unknown

    1 July 2022

    The Outcome Unknown Festival brings together some of Perth’s leading players in experimental music, and highlights the strength in the electronica field, writes Jonathan W. Marshall.

    Reading time • 7 minutesMusic

Cleaver Street Studio

Cleaver Street Studio

Cleaver Street Studio