Review/Festival/Music

Firing on all senses

Fringe World review: ‘Sleep with Giovanni’ ·
Upper Burt Hall, Cathedral Square, 31 January ·
Review by Leon Levy ·

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With the Fringe about to reach the halfway mark, regular supporters may well approach this imaginative presentation by the Giovanni Consort vocal ensemble as a rare opportunity to catch up on sleep without reducing their commitment to this most diverse of Festivals.

For having been invited to discard one’s shoes, take a prone position on a mat and don an eye mask, the pathway to slumber seemed unavoidable.

But as the sound — a single line at first — crept in, a powerful feeling of embarking on a mysterious journey ensured that one’s senses were on high alert. The developing and varied vocal landscape — plainsong, polyphony, forest sounds of the night, a touch of didgeridoo, moments of powerful choral harmony, all overlaid with Latin liturgy — was experience enough; but the awareness that the “creatures” responsible for these sounds were wandering amongst a defenceless, supine audience took the magic to a higher level of mystery.

Of the six categories of live performance into which the Fringe Festival is divided, Music & Musicals is where Sleep with Giovanni is listed. But that can only be a matter of convenience, for the Giovanni Consort have generated a sensory experience that extends well beyond its allocated category and represents an unexpected triumph, which is  exactly what one hopes to encounter in the course of a festival such as Fringe.

Finally, it should be noted that the continuous vocal core of the programme was flawlessly executed by the consort, as was their ability to give one the creeps by moving almost imperceptibly amongst us.

Highly recommended.

Sleep with Giovanni plays Upper Burt Hall until February 2.

Pictured Top: A mysterious journey – members of the Giovanni Consort wander amongst the audience.

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Author —
Leon Levy

Leon Levy‘s career was spent in commerce, but in retirement continues a lifetime’s interest in the arts generally and choral singing in particular. He enjoys occasional reviewing with its challenge of giving total focus to each performance. Leon remains attracted to playground slides under the cover of supervising his grandchildren.

Past Articles

  • Baroque distinction

    Review: Perth Symphonic Chorus, “Magnificent Bach” ⋅ Winthrop Hall, May 18 ⋅ Review by Leon Levy ⋅ On an unusually busy choral weekend the Perth Symphony Chorus was in…

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  • An early highlight

    Perth Festival review: Estonian Philharmonic Chamber Choir and Australian Chamber Orchestra ⋅
    Perth Concert Hall, February 13 ⋅
    Review by Leon Levy ⋅

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